IN TRENCHES, _March 1917_.
SPRING. ROUEN, MAY 1917
I AM dumb, I am dumb!
And here’s a Norman orchard and here’s Spring
Goading the sullen words that will not come.
Romance, beating his distant magical drum,
Calls to a soldier bearing alien arms,
“Throw off your yoke and hear my darlings sing,
Blackbirds” (by red-roofed farms)
“More drunk than any poet with May’s delight,
Green alive to the eye, and pink and white.”
Joy’s there, but not for me;
And song, but shall I sing
That live as in a dream of some bad night,
Whose memories are of such ecstasy
And height of passionate joy, that pain alone
Is born of beauty in cloud and flower and tree;
Yes, and the great Cathedral’s towering stone.
To me these are but shadows
Of orchards and old meadows
Trodden before the dawn,
Trodden after the dusk....
All loveliness of France is as a husk,
The inner living spirit of beauty gone,
To that familiar beauty now withdrawn
From exiles hungering ever for the sight
Of her day-face;
England’s;
Or in some orchard space
Breathless to drink peace from her calm night.
How shall I sing, since she sings not to me
Songs any more?
High rule she holds for ever on the sea
That’s hers, but dreams too might guard the shore
Of France, that’s French and set apart for ever.
A Spirit of Love our link of song does sever.
Had it been hate
(The weakest of all sworn enemies of Love)
We should have broken through or passed above
Its foolish barriers;
Here we must bow as to established Fate,
And reverently; for, comrades and high peers,
Sisters in blood,
Our mothers brook no rival in their state
Of motherhood.
Public-domain text, read in full here on John Shaqi.
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