Seville: an historical and descriptive account of "the pearl of Andalusia"Calvert, Albert Frederick
History
Seville: an historical and descriptive account of "the pearl of Andalusia"
Calvert, Albert Frederick
Art -- Spain -- Seville; Painters -- Spain; Seville (Spain) -- Description and travel
THE SPANISH SERIES
SEVILLE
THE SPANISH SERIES
Edited by ALBERT F. CALVERT
MURILLO
SPANISH ARMS AND ARMOUR
THE ESCORIAL
CORDOVA
SEVILLE
THE PRADO
_In Preparation_
GOYA
GRANADA AND ALHAMBRA
VELAZQUEZ
TOLEDO
ROYAL PALACES OF SPAIN
MADRID
LEON, BURGOS AND SALAMANCA
VALLADOLID, OVIEDO, SEGOVIA,
ZAMORA, AVILA & ZARAGOZA
SEVILLE
AN HISTORICAL AND DESCRIPTIVE
ACCOUNT OF
“THE PEARL OF ANDALUSIA”
BY ALBERT F. CALVERT
WITH 300 ILLUSTRATIONS
LONDON: JOHN LANE, THE BODLEY HEAD
NEW YORK: JOHN LANE COMPANY MCMVII
TURNBULL AND SPEARS. PRINTERS, EDINBURGH
PREFACE
There is a charm and compelling fascination about Seville which
produces in the traveller visiting the city for the first time a
sensation of physical ecstasy. The spell of the Pearl of Andalusia is
instant and enduring; I have not met a man or woman proof against its
witchery. George Borrow shed tears of rapture as he beheld Seville from
the Cristina Promenade, and “listened to the thrush and the nightingale
piping forth their melodious songs in the woods, and inhaled the breeze
laden with the perfume of its thousand orange gardens.” The Moors left
their beloved capital at the height of its prosperity, in the full
flower of its beauty; change has not affected its material importance,
and time has not staled its infinite variety. A Christian Cathedral now
stands on the foundation of the great mosque of Abu Yakub Yusuf; but
the Moorish Giralda, the most expressive monument of the Mohammedan
occupation, still beckons the distant traveller onwards to the promised
land; the Alcazar breathes the spirit of its Oriental masters; and the
shimmering Torre del Oro still reflects the light of the setting sun
upon the broad bosom of the rose-coloured river.
Public-domain text, read in full here on John Shaqi.
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