Seville: an historical and descriptive account of "the pearl of Andalusia" — John Shaqi
Seville: an historical and descriptive account of "the pearl of Andalusia"Calvert, Albert Frederick
History
Seville: an historical and descriptive account of "the pearl of Andalusia"
Calvert, Albert Frederick
Art -- Spain -- Seville; Painters -- Spain; Seville (Spain) -- Description and travel
The Salón del Principe occupies the upper floor of the chief façade,
and receives light through the beautiful _ajimices_ or twin-windows
so noticeable from without. This spacious hall is divided into three
compartments, each of which has a fine ceiling. Two have been restored,
but the third was the work of Juan de Simancas in the year 1543. The
scheme of decoration is Moorish. The columns in this hall and the
adjoinng apartments are of marble, with rich capitals. According to
Zurita (quoted by Madrazo), these columns came from the royal palace at
Valencia, after the defeat of Pedro of Aragon by the King of Castile.
The oratory was built by order of Ferdinand and Isabella in 1504. It
contains an admirable retablo in blue glazed tiles--probably the finest
work of the kind in Spain--designed by an Italian, Francesco Niculoso.
The centre-piece represents the Visitation. It is believed that some
parts of the work were drawn by Pedro Millán, a sculptor of Seville.
The oratory is on the upper floor of the palace. On the same storey
is the Comedor, or dining-hall, a long, narrow room with a fine
fifteenth-century ceiling, and good tapestries on the walls. A more
interesting apartment is the bed-chamber of Don Pedro, which has a good
carved roof and dados of _azulejos_ and stucco. Over the door four
heads may be seen painted. They represent the skulls of the corrupt
judges on whom the unjust king executed summary justice. The decoration
of this chamber is of the sixteenth century.
The royal apartments on this floor contain several important works
of art. In the room of the Infantes is a portrait of Maria Luisa by
Goya. The Salón Azul (Blue Room), so-called from the colour of its
tapestries, contains some fine pastel paintings by Muraton, and some
notable miniatures on ivory. The portraits of the family of Isabel II.
by Bartolomé López are worthy of inspection.
Returning to the ground floor, we enter the spacious Salón de Carlos
V., occupying one side of the Patio de las Doncellas. Here, it is
asserted, St Ferdinand died; but it is more probable that he expired
in the old Moorish Alcazar. The fine ceiling, decorated with the heads
of warriors and ladies, was built by the Emperor after whom the hall is
named. The stucco and the work are very beautiful.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account