Seville: an historical and descriptive account of "the pearl of Andalusia"Calvert, Albert Frederick
History
Seville: an historical and descriptive account of "the pearl of Andalusia"
Calvert, Albert Frederick
Art -- Spain -- Seville; Painters -- Spain; Seville (Spain) -- Description and travel
On the eighth day of July in the year 1401, the Dean and Chapter of
Seville assembled in the Court of the Elms, and solemnly resolved that,
the Cathedral having been practically ruined by recent earthquakes,
a new one should be built so splendid that it should have no equal;
and that, if the revenue of the See should not prove sufficient for
the cost of the undertaking, each one present should contribute from
his own stipend as much as might be necessary. Then uprose a zealous
prebendary, and cried, “Let us build a church so great that those who
come after us may think us mad to have attempted it!”
Such was the greatness of spirit in which the foundation of the
existing Cathedral of Seville was undertaken. And the result is worthy
of the deep and fervid zeal of those old Catholics of Spain.
The church took one hundred and twenty years to build. Pity it was that
the noble-hearted priests who decreed the raising of the fane should
never have gazed upon much more than its skeleton! First of all, the
mosque-cathedral of Yakub was demolished, only the Giralda and the
_Patio de los Naranjos_, with the northern, eastern, and western gates,
being spared. The Royal Chapel was pulled down in 1432, by permission
of Juan II. The first stone had been laid in 1402; but, strangely
and sadly enough, the name of the architect who traced the plan has
not been preserved. Some believe him to have been Alonso Martinez;
others, Pero García. Fame, we may well believe, was a prize which the
pious builder esteemed but lightly. His reward lay in the greater
glorification of his faith.
In 1462, we find Juan Normán directing the works; in 1488, he had
passed from the scene and was succeeded by Juan de Hoz. Then came
Alonso Ruiz and Alonso Rodriguez. The building was practically finished
when, in 1511, the cupola collapsed. In 1519, Juan Gil de Hontañon,
the architect of Salamanca Cathedral, completed the reconstruction,
and the cathedral may be considered as having been finished, though
restorations and remodelling of various parts of the edifice have been
going on ever since, and masons are to this day engaged upon the dome.
This magnificent church is pre-eminent for size among the cathedrals
of Spain, and ranks third in this respect among the sacred edifices
of the world. St Peter’s covers 230,000 square feet, the Mezquita at
Cordova 160,000, and the Cathedral of Seville 125,000. Our St Paul’s
covers only 84,000 square feet. It follows that this cathedral is the
largest of Gothic temples.
Public-domain text, read in full here on John Shaqi.
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