Sex variant women in literature : $b A historical and quantitative surveyFoster, Jeannette H. (Jeannette Howard)
General
Sex variant women in literature : $b A historical and quantitative survey
Foster, Jeannette H. (Jeannette Howard)
Lesbians in literature; Sex in literature; Women in literature
*George Sand.* In France the spectacular figure of George Sand invites
attention, both because of her adoption of male costume in the 1830s,
and because critics are agreed as to the pronounced masculinity of her
always semi-autobiographical heroines. She wrote nothing to be classed
as variant, but special note is due her _Gabriel-Gabrielle_,[1] the
title an obvious echo of Balzac’s _Seraphitus-Seraphita_, which
antedated it by only five years. Sand’s title-character is definitely an
intersexual, but the author avoids variant emotion and concentrates upon
psychological ambiguity. Gabriel, an orphan, is not only raised as a
boy, but by a somewhat strained device is made to believe that she
actually is one until she attains her majority. Learning at this point
that the deception has been contrived by her grandfather, to secure for
his branch of the family a fortune which can be inherited only through
the male line, she sets out to find her defrauded male cousin and make
restitution. The two fall in love, marry secretly, and live abroad in
the hope of avoiding family interference. Their effort is futile, and
after much tragic misunderstanding and dangerous intrigue, Gabrielle is
finally set upon and killed by her grandfather’s hirelings during one of
the periods when she is again, as during her youth, posing as a man.
The most pertinent passage describes a masked ball which Gabrielle
attends dressed for the first time as a woman. The cousin, who still
believes her a man, speaks recklessly of how easily he could love “her.”
Her reply is:
“This sort of entertainment should be morally frowned upon. It all
goes to excite impure ideas, the whole purpose is to shake our
composure. The joke has gone too far. I am going to take off this
costume and never put it on again.”[2]
Later she implores him not to duel with a fellow-reveller who has
insulted her, as when it is known that she is “really a man it would be
ridiculous. And who knows? Wicked minds could even find in it matter for
odious interpretation.” Her cousin replies: “That’s true. May my honor
and reputation for courage perish, rather than that flower of innocence
which graces your name. I will turn it all off as a jest.”
Public-domain text, read in full here on John Shaqi.
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