Sex variant women in literature : $b A historical and quantitative surveyFoster, Jeannette H. (Jeannette Howard)
General
Sex variant women in literature : $b A historical and quantitative survey
Foster, Jeannette H. (Jeannette Howard)
Lesbians in literature; Sex in literature; Women in literature
Before joining the army she worked for a time as bookkeeper to a wealthy
merchant in Lima, in whose house she also boarded, and she was dismissed
in less than a year for “sporting and frolicking” with his wife’s two
unmarried sisters, “one especially whom I preferred.” One day while she
was “in the parlour, combing my hair, lolling my head in her lap and
tickling her ankles,” the employer observed the play “through a grating”
and sent her packing.[16] The inferred activities are fairly
unmistakable, but since she was believed to be a man, we can deduce
nothing from the incident about local attitudes towards homosexuality.
A well-documented passage in the “Relaciones” tells us that after her
return from Europe she was entrusted, by a couple in Vera Cruz who knew
her to be a woman, with the responsibility of escorting their daughter
to Mexico where the girl was to be married. Thus it is clear that her
earlier emotional adventures had been well concealed. But during the
journey “she became jealously attached to her charge, resented her young
friend’s subsequent marriage, and in a letter of incomparable arrogance
challenged the girl’s husband to a duel” because he forbade her the
house. Friends managed to prevent the meeting, and it was after this
that she “sheathed her rapier and set about earning an unromantic living
as a carrier.” She must have been in her late forties at the time of
this episode.
Neo-Classical Aridity
Because so little variant material appears in reputable imaginative
writing between 1650 and 1800 we must turn elsewhere for evidence that
variance nevertheless flourished. For reasons mentioned earlier,
biography and memoirs are not generally within our scope, but in the
sixteenth to eighteenth centuries the chief aim of such writing was
narrative interest, and certainly Brantôme, Casanova and the rest are
read and enjoyed now in somewhat the same way as is Proust’s
autobiographical fiction of the present century. As has been said, even
historians grant that a very fair general impression of the writers’
periods can be gained from these spontaneous records.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account