Sex variant women in literature : $b A historical and quantitative surveyFoster, Jeannette H. (Jeannette Howard)
General
Sex variant women in literature : $b A historical and quantitative survey
Foster, Jeannette H. (Jeannette Howard)
Lesbians in literature; Sex in literature; Women in literature
The same question arises in reading Thomas Hardy’s earliest novel,
_Desperate Remedies_ (1871), even though some early chapters give more
details of a variant episode than anything in Holmes. Circumstances
force the well-born Cytherea at eighteen into service as a lady’s maid,
and Miss Aldclyffe, a spinster of forty-six, employs her despite her
frank admission of inexperience wholly from infatuation with her beauty
and physical grace. Since both women are headstrong and mercurial,
Cytherea’s term as servant lasts a matter of mere hours, but its stormy
ending promotes her to the status of companion and (ultimately) partial
heiress of her mistress’s fortune. This transition occurs during their
single night together, in the course of which the older woman learns
that the girl is already in love with a man and does her best to turn
her adored against him and all of his sex. Miss Aldclyffe is a “tall ...
finely built woman of spare though not angular proportions,”[14a] but
her aversion to men is the result of early seduction and desertion and
not innate, and her passion for Cytherea, half-maternal, stems from
years of emotional starvation. The girl, though also strong-willed and
independent, is wholly feminine and quite unable to satisfy her
mistress’s pleas for some warmth of response to her caresses.
Although _Desperate Remedies_ shows some immaturity in its Victorian
elaboration of plot, its grasp of character foreshadows the mastery
Hardy was later to attain, and an already developed ironic detachment
saves the night incident from being either mawkish or offensive to
British readers. Nothing in it betrays the least awareness of lesbian
possibilities on the part of either Miss Aldclyffe or her author, nor is
there any conscious feminism in her disparagement of men. Actually, she
at once sets about contriving to marry Cytherea to a man of her own
choice—her unacknowledged illegitimate son. The variant episode is thus
brief and incidental, but it is significant in having no known
antecedent in British fiction save Wollstonecraft’s _Mary_ published
nearly a century earlier.[15]
Public-domain text, read in full here on John Shaqi.
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