THE PERSONS OF THE PLAY
ROBERT CECIL, LORD BURGHLEY
THE EARL OF SOUTHAMPTON
LORD WILLIAM HERBERT (afterwards Earl of Pembroke).
KINGSTON LACY, EARL OF LINCOLN, an Euphuist
SIR JOHN STANLEY
SIR WALTER RALEIGH
MASTER WILLIAM SHAKESPEARE
“ FRANCIS BACON
“ BEN JONSON
“ FLETCHER
“ RICHARD BURBAGE
“ MARSTON
“ CHETTLE, the prototype of Falstaff.
“ DEKKER
“ WILLIE HUGHES
“ SELDEN
DR. HALL, Shakespeare’s son-in-law
MASTER FRY, the Host of the “Mitre”
QUEEN ELIZABETH
LADY RUTLAND, Sidney’s sister
LADY JANE WROTH
LADY CYNTHIA DARREL
LADY JOAN NEVIL
MISTRESS MARY FITTON, Shakespeare’s Love
“ VIOLET VERNON
“ QUINEY }
“ HALL, } Shakespeare’s daughters
COURTIERS AND SERVANTS
------------------------------------------------------------------------
SHAKESPEARE AND HIS LOVE
ACT I
SCENES I-VII _The Stage of the Globe
Theatre._
“ VIII-X _The Antechamber at Court_
ACT II
SCENES I-II _In the “Mermaid”_
“ III-VI _In the Gardens of St. James’s
Palace by moonlight_
ACT
III
SCENES I-IV _In the “Mitre” Tavern_
“ V-VI _A Room in Lord William
Herbert’s Lodgings_
ACT IV
SCENES I-IV _In the “Mitre” Tavern_
“ V-VI _The Throne Room at Court_
THE
EPILOGUE
SCENES I-II _A Bedchamber in_
SHAKESPEARE’S _House at
Stratford_
_Time_
_Acts I, II, III and IV take
place in the summer of 1598
The Epilogue in April, 1616_
------------------------------------------------------------------------
ACT I
------------------------------------------------------------------------
SCENE I.
_The tiring-room behind the stage of the Globe theatre after a
performance of “The Merchant of Venice.”_
[_As the curtain goes up an attendant is discovered listening at door_
L. _There is a noise to be heard as of persons leaving the theatre: as
the door is thrown open the attendant moves aside. The Earl of
Southampton, Lord Lacy, Sir John Stanley, Chapman, Dekker, Marston,
Fletcher, John Selden and Burbage enter._]
SIR JOHN STANLEY:
[_Flinging in._] What a foolish play! And what a spendthrift merchant!
CHAPMAN:
Trivial, I found it. Trivial and silly.
LACY:
Public-domain text, read in full here on John Shaqi.
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