Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616Green, Henry
History
Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616
Green, Henry
Emblem books, English -- History; Emblems -- England -- History; Emblems in literature; Shakespeare, William, 1564-1616 -- Sources
“Now is the winter of our discontent
Made glorious summer by this sun of York;
And all the clouds, that lour’d upon our house,
In the deep bosom of the ocean bury’d.”
“Sun of York” is a direct allusion to the heraldic cognizance which
Edward IV. adopted, “in memory,” we are told, “of the _three suns_,”
which are said to have appeared at the battle which he gained over the
Lancastrians at Mortimer’s Cross. Richard then adds,—
“Now are our brows bound with victorious wreaths,
Our bruised arms hung up for monuments;
Our stern alarums changed to merry meetings,
Our dreadful marches to delightful measures.”
We meet, too, in the _Pericles_ (act ii. sc. 3, l. 9, vol. ix. p. 345)
with the words of Thaisa to the victor,—
“But you, my knight and guest;
To whom this wreath of victory I give,
And crown you king of this day’s happiness.”
But in the pure Roman manner, and according to the usage of
Emblematists, Shakespeare also tells of “victors’ crowns;” following, as
would appear, “LES DEVISES HEROIQVES” of Paradin, edition Anvers, 1562,
f. 147 _verso_, which contains several instances of garlands for noble
brows. Of these, one is entitled, _Seruati gratia ciuis_,—“For sake of a
citizen saved.”
[Illustration]
The garland is thus described in Paradin’s French,—
“_La Courõne, apellee Ciuique, eſtoit dõnee par le Citoyẽ, au Citoyẽ
qu’il auoit ſauué en guerre: en repreſentatiõ de vie ſauuee. Et eſtoit
cete Courõne, tiſſue de fueilles, ou petis rameaus de Cheſne: pour autãt
qu’au Cheſne, la vielle antiquité, ſouloit prẽdre ſa ſubſtãce, ſõ mãger,
ou sa nourriture_.”
_i.e._—“The crown called Civic was given by the Citizen to the
Citizen[122] whom he had saved in war; in testimony of life saved. And
this Crown was an inweaving of leaves or small branches of Oak; inasmuch
as from the Oak, old antiquity was accustomed to take its subsistence,
its food, or its nourishment.”
“Among the rewards” for the Roman soldiery, remarks Eschenburg (_Manual
of Classical Literature_, p. 274), “golden or gilded crowns were
particularly common; as, the _corona castrensis_, or _vallaris_, to him
who first entered the enemy’s entrenchments; _corona muralis_, to him
who first scaled the enemy’s walls; and _corona navalis_, for seizing a
vessel of the enemy in a sea-fight; also wreaths and crowns formed of
leaves and blossoms; as the _corona civica_, of oak leaves, conferred
for freeing a citizen from death or captivity at the hands of the enemy;
the _corona obsidionalis_, of grass, for delivering a besieged city; and
the _corona triumphalis_, of laurel, worn by a triumphing general.”
Public-domain text, read in full here on John Shaqi.
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