Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616Green, Henry
History
Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616
Green, Henry
Emblem books, English -- History; Emblems -- England -- History; Emblems in literature; Shakespeare, William, 1564-1616 -- Sources
Shakespeare’s acquaintance with these Roman customs we find, where we
should expect it to be, in the _Coriolanus_ and in the _Julius Cæsar_.
Let us take the instances; first, from the _Coriolanus_, act i. sc. 9,
l. 58, vol. vi. p. 304; act i. sc. 3, l. 7, p. 287; act ii. sc. 2, l.
84, p. 323; and act ii. sc. 1, l. 109, p. 312. Cominius thanks the gods
that “our Rome hath such a soldier” as Caius Marcius, and declares (act
i. sc. 9, l. 58),—
“Therefore, be it known,
As to us, to all the world, that Caius Marcius
Wears this war’s garland: in token of the which,
My noble steed, known to the camp, I give him,
With all his trim belonging; and from this time.
For what he did before Corioli, call him,
With all the applause and clamour of the host,
CAIUS MARCIUS CORIOLANUS. Bear
The addition nobly ever!”
With most motherly pride Volumnia rehearses the brave deed to Virgilia,
her son’s wife (act i. sc. 3, l. 7),—
“When, for a day of kings’ entreaties, a mother should not sell him
an hour from her beholding; I, considering how honour would become such
a person; that it was no better than picture-like to hang by the wall,
if renown made it not stir, was pleased to let him seek danger where he
was like to find fame. To a cruel war I sent him; from whence he
returned, his brows bound with oak. I tell thee, daughter, I sprang not
more in joy at first hearing he was a man-child than now in first seeing
he had proved himself a man.”
And the gaining of that early renown is most graphically drawn by
Cominius, the consul (act ii. sc. 2, l. 84),—
“At sixteen years,
When Tarquin made a head for Rome, he fought
Beyond the mark of others: our then dictator,
Whom with all praise I point at, saw him fight,
When with his Amazonian chin he drove
The bristled lips before him: he bestrid
An o'er press’d Roman, and i’ the consul’s view
Slew three opposers: Tarquin’s self he met,
And struck him on his knee: in that day’s feats,
When he might act the woman in the scene,
He proved best man i’ the field, and for his meed
Was brow-bound with the oak. His pupil age
Man-enter’d thus, he waxed like a sea;
And, in the brunt of seventeen battles since,
He lurch’d all swords of the garland.”
The successful general is expected in Rome, and this dialogue is held
between Menenius, Virgilia, and Volumnia (act ii. sc. 1, l. 109, p.
312),—
“_Men._ Is he not wounded? he was wont to come home wounded.
_Vir._ O, no, no, no.
_Vol._ O, he is wounded; I thank the gods for’t.
_Men._ So do I too, if it be not too much: brings a’ victory in his
pocket? The wounds become him.
_Vol._ On’s brows: Menenius, he comes the third time home with the
oaken garland.”
Public-domain text, read in full here on John Shaqi.
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