Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616 — John Shaqi
Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616Green, Henry
History
Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616
Green, Henry
Emblem books, English -- History; Emblems -- England -- History; Emblems in literature; Shakespeare, William, 1564-1616 -- Sources
Heraldry throughout employs the language of Emblems;—it is the
picture-history of families, of tribes and of nations, of princes and
emperors. Many a legend and many a strange fancy may be mixed up with it
and demand almost the credulity of simplest childhood in order to obtain
our credence; yet in the literature of Chivalry and Honours there are
enshrined abundant records of the glory that belonged to mighty names. I
recall now but one instance. In the fine folio lately emblazoned with
the well-known motto “GANG FORWARD,” “I AM READY,” what volumes, to
those who can interpret each mark and sign and tutored symbol, are
wrapped up in the _Examples of the ornamental Heraldry of the sixteenth
Century_: London, 1867, 1868.
The custom of taking a device or badge, if not a motto, is traced by
Paolo Giovio, in his _Dialogo dell’ Imprese militari et amorose_, ed.
1574, p. 9,[14] to the earliest times of history. He writes,
“To bear these emblems was an ancient usage.” GIO. “It is a point
not to be doubted, that the ancients used to bear crests and ornaments
on the helmets and on the shields: for we see this clearly in Virgil,
when he made the catalogue of the nations which came in favour of Turnus
against the Trojans, in the eighth book of the Æneid; Amphiaraus then
(as Pindar says) at the war of Thebes bore a dragon on his shield.
Similarly Statius writes of Capaneus and of Polinices, that the one bore
the Hydra, and the other the Sphynx,” &c.
But these were simple emblems, without motto inscribed. The same Paolo
Giovio, and other writers after him,[15] assign both “picture and short
posie,” to two of the early Emperors of Rome.
“Augustus, wishing to show how self-governed and moderate he was in
all his affairs, never rash and hasty to believe the first reports and
informations of his servants, caused to be struck, among several others,
on a gold medal of his own, a Butterfly and a Crab, signifying quickness
by the Butterfly, and by the Crab slowness, the two things which
constitute a temperament necessary for a Prince.”
The motto, as figured below,—“MAKE HASTE LEISURELY.”
AVGVSTE.
[Illustration: _Symeon, Dev. Her. 1561._]
The Device is thus applied in Whitney’s _Emblems_, p. 121, and dedicated
to two eminent judges of Elizabeth’s reign;
“This figure, lo, AVGVSTVS did deuise,
A mirror good, for Iudges iuste to see,
And alwayes fitte, to bee before their eies,
When sentence they, of life, and deathe decree:
Then muste they haste, but verie slowe awaie,
Like butterflie, whome creepinge crabbe dothe staie.”
“The Prince, or Iudge, maie not with lighte reporte,
In doubtfull thinges, giue iudgement touching life:
But trie, and learne the truthe in euerie sorte,
And mercie ioyne, with iustice bloodie knife:
This pleased well AVGVSTVS noble grace,
And Iudges all, within this tracke shoulde trace.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account