Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616Green, Henry
History
Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616
Green, Henry
Emblem books, English -- History; Emblems -- England -- History; Emblems in literature; Shakespeare, William, 1564-1616 -- Sources
“To clip the anvil of my sword,” is an expression in the _Coriolanus_
(act iv. sc. 5, lines 100–112, vol. vi. p. 380) very difficult to be
explained, unless we regard it as a proverb, denoting the breaking of
the weapon and the laying aside of enmity. Aufidius makes use of it in
his welcome to the banished Coriolanus,—
“O Marcius, Marcius!
Each word thou hast spoke hath weeded from my heart
A root of ancient envy. If Jupiter
Should from yond cloud speak divine things,
And say ‘’Tis true,’ I’d not believe them more
Than thee, all noble Marcius. Let me twine
Mine arms about that body, where against
My grained ash an hundred times hath broke,
And scarr’d the moon with splinters: here I clip
The anvil of my sword, and do contest
As hotly and as nobly with thy love
As ever in ambitious strength I did
Contend against thy valour.”
To clip, or cut, _i.e._, strike the anvil with a sword, is exhibited by
more than one of the Emblem writers, whose stanzas are indeed to the
same effect as those of Massinger in his play, _The Duke of Florence_
(act ii. sc. 3),—
“Allegiance
Tempted too far is like the trial of
A good sword on an anvil; as that often
Flies in pieces without service to the owner;
So trust enforced too far proves treachery,
And is too late repented.”
In his 31st Emblem, Perriere gives the device, and stanzas which
follow,—
[Illustration: _Perriere, 1539._]
XXXI.
En danger eſt de rompre ſon eſpée
Qui ſur l’enclum[e/] en frappe rudement.
Auſſi l’amour eſt bien toſt ſincoppée,
Quand ſon amy on preſſe follement.
Qui le fera, perdra ſubitement
Ce qu’il deburoit bien cheremẽt garder
De tel abus, ſe fault contregarder,
Cõm[e/] en ce lieu auõs doctrin[e/] expreſſe.
A tel effort, ne te fault hazarder
De perdr[e/] amy, quãd ſouuẽt tu le preſſe.
But the meaning is, the putting of friendship to too severe a trial: “As
he is in danger of breaking his sword who strikes it upon an anvil, so
is love very soon cut in pieces when foolishly a man presses upon his
friend.” So Whitney (p. 192), to the motto, _Importunitas
euitanda_,—“Want of consideration to be avoided,”—
“Who that with force, his burnish’d blade doth trie
On anuill harde, to prooue if it be sure:
Doth Hazarde muche, it shoulde in peeces flie,
Aduentring that, which else mighte well indure:
For, there with strengthe he strikes vppon the stithe,
That men maye knowe, his youthfull armes have pithe.
Public-domain text, read in full here on John Shaqi.
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