Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616Green, Henry
History
Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616
Green, Henry
Emblem books, English -- History; Emblems -- England -- History; Emblems in literature; Shakespeare, William, 1564-1616 -- Sources
The longeſt daye, in time reſignes to nighte.
The greateſt oke, in time to duſte doth turne:
The Rauen dies, the Egle failes of flighte.
The Phœnix rare, in time her ſelfe doth burne.
The princelie stagge at lengthe his rave doth ronne.
And all muſt ende, that euer was begonne.
A sentiment this corresponding nearly with Hector’s words, in the
_Troilus and Cressida_ (act iv. sc. 5, l. 223, vol. vi. p. 230),—
“The fall of every Phrygian stone will cost
A drop of Grecian blood: the end crowns all,
And that old common arbitrator, Time,
Will one day end it.”
Prince Henry (_2 Henry IV._, act ii. sc. 2, l. 41, vol. iv. p. 392), in
reply to Poins, gives yet another turn to the proverb: “By this hand,
thou thinkest me as far in the devil’s books as thou and Falstaff for
obduracy and persistency; let the end try the man.”
In Whitney’s address “to the Reader,” he speaks of having collected
“sondrie deuises” against several great faults which he names, “bycause
they are growẽ so mightie that one bloe will not beate them downe, but
newe headdes springe vp like _Hydra_, that _Hercules_ weare not able to
subdue them.” “But,” he adds, using an old saying, “manie droppes pierce
the stone, and with manie blowes the oke is ouerthrowen.”
Near Mortimer’s Cross, in Herefordshire, a messenger relates how “the
noble Duke of York was slain” (_3 Henry VI._, act ii. sc. 1, l. 50, vol.
v. p. 252), and employs a similar, almost an identical, proverb,—
“Environed he was with many foes,
And stood against them, as the hope of Troy
Against the Greeks that would have enter’d Troy.
But Hercules himself must yield to odds;
And many strokes, though with a little axe,
Hew down and fell the hardest-timber’d oak.”
This is almost the coincidence of the copyist, and but for the
necessities of the metre, Whitney’s words might have been literally
quoted.
“Manie droppes pierce the stone,” has its parallel in the
half-bantering, half-serious, conversation between King Edward and Lady
Grey (_3 Henry VI._, act iii. sc. 2, l. 48, vol. v. p. 280). The lady
prays the restoration of her children’s lands, and the king intimates he
has a boon to ask in return,—
“_King Edw._ Ay, but thou canst do what I mean to ask.
_Grey._ Why then I will do what your grace commands.
_Glou._ [_Aside to_ CLAR.] He plies her hard; and much rain wears the
marble.
_Clar._ [_Aside to_ GLOU.] As red as fire! nay, then her wax must melt.”
In Otho Vænius (p. 210), where Cupid is bravely working at felling a
tree, to the motto, “By continuance,” we find the stanza,—
“Not with one stroke at first the great tree goes to grownd,
But it by manie strokes is made to fall at last,
The drop doth pierce the stone by falling long and fast,
So by enduring long long sought-for loue is found.”
Public-domain text, read in full here on John Shaqi.
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