Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616Green, Henry
History
Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616
Green, Henry
Emblem books, English -- History; Emblems -- England -- History; Emblems in literature; Shakespeare, William, 1564-1616 -- Sources
The Stork is described as a bird of extreme purity; and as nourishing,
with wonderful affection, father and mother in their old age. The
“interpretation” or application of the fact is;—“So also it behoves us
to observe these two divine commands, that is to turn aside from evil
and to do good, as the kingly prophet wrote; and likewise in the
decalogue the Lord commands, thus saying;—Honour thy father and thy
mother.”
In a similar way the properties and habits of various animals,—of the
lion, the elephant, the stag, the eagle, the pelican, the partridge, the
peacock, &c., are adduced to enforce or symbolize virtues of the heart
and life, and to set forth the doctrines of the writer’s creed.
To illustrate the Emblem side of Christian Art a great variety of
information exists in _Sketches of the History of Christian Art_, by
Lord Lindsay (3 vols. 8vo: Murray, London, 1847); and Northcote and
Brownlow’s _Roma Sotterranea_, compiled from De Rossi (8vo: Longmans,
London, 1869) promises to supply many a symbol and type of a remote age
fully to set forth the same subject.
[Illustration: _Giovio, 1556._]
-----
Footnote 1:
See the _Olympica_, 12. 10: “σύμβολον πιστὸν ἀμφὶ πράξιος ἐσομένης.”
Also Æschylus, _Agamemnon_, 8: “καὶ νῦν φυλάΣΣΑ λαμπ/δος τὸ σύμβολον.”
Footnote 2:
_Syntagma De Symbolis_, &c., per Clavdivm Minoëm, Lvgdvni, M.DC.XIII.
p. 13: “Plerique sunt non satis acuti, qui Emblema cum Symbolo, cum
Ænigmate, cum Sententia, cum Adagio, temerè & imperitè confundunt.
Fatemur Emblematis quidem vim in symbolo sitam esse: sed differunt,
inquam, vt Homo & Animal: alterum enim hîc maximè generaliùs accipi,
specialiùs verò alterum norũt omnes qui aliquid indicii habeant.”
Footnote 3:
“LA VITA ET METAMORFOSEO:” “A Lione, per Giouanni di Tornes,” 8vo,
1559, pp. 2, 3.
Footnote 4:
... “θύρην δ’ ἔχε μοῦνος ἐπιβλὴς
Εἰλάτινος.”
Footnote 5:
... “σκῆπτρον δέ οἱ ἔμβαλε χερὶ
Κήρυξ Πεισήνωρ.”
Footnote 6:
... “Νῆας ἐνιπρῆσαι, ὅτε μὴ αὐτὸς γε Κρονίων
Ἐμβάλοι αἰθόμενον δαλὸν νήεσσι θοῇσιν.”
Footnote 7:
Philemon Holland names the work of art, “A broad goblet or standing
piece,”—_“with a device appendant to it,_ for to be set on and taken
off with a vice.”
Footnote 8:
Now the property of his grandson, Mr. Henry Yates Thompson, of
Thingwall, near Liverpool.
Footnote 9:
“Quidam . . . . scriptos eos (scilicet locos) memoriæque
diligentissime mandatos, inpromptu habuerent, ut quoties esset
occasio, extemporales eorum dictiones, his, velut Emblematibus
exornarentur.”—_Quint. Lib. 2, cap. 4._
Footnote 10:
So the note in illustration quotes from Gower, _Conf. Am_. f. 190,
“Upon _the gaudees_ all without
Was wryte of gold, _pur reposer_.”
Footnote 11:
See Smith’s _Dictionary of Gk. and Rom. Ant._, p. 377 _b_, article
EMBLEMA.
Footnote 12:
Public-domain text, read in full here on John Shaqi.
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