Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616Green, Henry
History
Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616
Green, Henry
Emblem books, English -- History; Emblems -- England -- History; Emblems in literature; Shakespeare, William, 1564-1616 -- Sources
“tu regibus alas
Eripe.” iv. 106.
And,—
“ipsæ regem parvosque Quirites
Sufficiunt, aulasque ei cerea regna refingunt.” iv, 201.
Footnote 157:
At a time even later than Shakespeare’s the idea of a king-bee
prevailed; Waller, the poet of the Commonwealth, adopted it, as in the
lines to Zelinda,—
“Should you no honey vow to taste
But what the master-bees have placed
In compass of their cells, how small
A portion to your share will fall.”
In Le Moine’s _Devises Heroiqves et Morales_ (4to, Paris, 1649, p. 8)
we read, “Du courage & du conseil au Roy des abeilles,”—and the
creature is spoken of as a male.
Footnote 158:
To mention only Joachim Camerarius, edition 1596, _Ex Volatilibus_
(Emb. 29–34); here are no less than five separate devices connected
with Hawking or Falconry.
Footnote 159:
Take an example from the Paraphrase in an old Psalter: “The arne,”
_i.e._ the eagle, “when he is greved with grete elde, his neb waxis so
gretely, that he may nogt open his mouth and take mete: hot then he
smytes his neb to the stane, and has away the slogh, and then he gaes
til mete, and he commes yong a gayne. Swa Crist duse a way fra us oure
elde of syn and mortalite, that settes us to ete oure brede in hevene,
and newes us in hym.”
Footnote 160:
The Virgin, in Brucioli’s _Signs of the Zodiac_, as given in our Plate
XIII., has a unicorn kneeling by her side, to be fondled.
Footnote 161:
The wonderful curative and other powers of the horn are set forth in
his _Emblems_ by Joachim Camerarius, _Ex Animalibus Quadrupedibus_
(Emb. 12, 13 and 14). He informs us that “Bartholomew Alvianus, a
Venetian general, caused to be inscribed on his banner, _I drive away
poisons_, intimating that himself, like a unicorn putting to flight
noxious and poisonous animals, would by his own warlike valour
extirpate his enemies of the contrary factions.”
Footnote 162:
See the fable of the Wolf and the Ass from the _Dialogues of
Creatures_ (pp. 53–55 of this volume).
Footnote 163:
See p. 11 of J. Payne Collier’s admirably executed Reprint of “THE
PHŒNIX NEST,” from the original edition of 1593.
Footnote 164:
There are similar thoughts in Shakespeare’s _Phœnix and Turtle_
(Works, lines 25 and 37, vol. ix. p. 671),—
“So they loved, as love in twain
Had the essence but in one;
Two distincts, division none,
Number there in love was slain.”
And,—
“Property was thus appalled,
That the self was not the same;
Single nature’s double name
Neither two nor one was called.”
Footnote 165:
Public-domain text, read in full here on John Shaqi.
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