Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616Green, Henry
History
Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616
Green, Henry
Emblem books, English -- History; Emblems -- England -- History; Emblems in literature; Shakespeare, William, 1564-1616 -- Sources
Reusner adopts this first line from Ovid’s _Fable of the Phœnix_
(_Metam._, bk. xv. 37. l. 3),—
“Sed thuris lacrymis, & succo vivit amomi.”
Footnote 166:
To render it still more useful, the words should receive something of
classification, as in Cruden’s _Concordance to the English Bible_, and
the _number_ of the _line_ should be given as well as of the _Act_ and
_Scene_.
Footnote 167:
The whole stanza as given on the last page, beginning with the line,—
“The Pellican, for to reuiue her younge,”
is quoted in Knight’s “PICTORIAL SHAKSPERE” (vol. i. p. 154), in
illustration of these lines from _Hamlet_ concerning “the kind
life-rendering pelican.” The woodcut which Knight gives is also copied
from Whitney, and the following remark added,—“Amongst old books of
emblems there is one on which Shakspere himself might have looked,
containing the subjoined representation. It is entitled ‘A Choice of
Emblemes and other Devices by Geffrey Whitney, 1586.’” Knight thus
appears prepared to recognise what we contend for, that Emblem writers
were known to Shakespeare.
Footnote 168:
Virgil’s _Æneid_ (bk. xii. 412–414), thus expressed in Dryden’s
rendering, will explain the passage; he is speaking of Venus,—
“A branch of healing dittany she brought:
Which in the Cretan fields with care she sought:
Rough is the stem, which wooly leafs surround;
The leafs with flow’rs, the flow’rs with purple crown’d.”
See also Joachim Camerarius, _Ex Animalibus Quadrup._ (ed. 1595, Emb.
69, p. 71).
Footnote 169:
In Haechtan’s _Parvus Mundus_ (ed. 1579), Gerard de Jode represents
the sleeping place as “sub tegmine fagi,”—but the results of the
mistake as equally unfortunate with those in Bellay and Whitney.
Footnote 170:
See “ARCHÆOLOGIA,” vol. xxxv. 1853, pp. 167–189; “Observations on the
Origin of the Division of Man’s Life into Stages. By John Winter
Jones, Esq.”
Footnote 171:
It may be noted that the Romans understood by _Pueritia_ the period
from infancy up to the 17th year; by _Adolescentia_, the period from
the age of 15 to 30; by _Juventus_, the season of life from the 20th
to the 40th year. _Virilitas_, manhood, began when in the 16th year a
youth assumed the _virilis toga_, “the manly gown.”
Footnote 172:
Soon after Whitney’s time this emblem was repeated in that very odd
and curious volume; “Stamm Buch, Darinnen Christliche Tugenden
Beyspiel Einhundert ausserlesener _Emblemata_, mit schönen
Kupffer-stücke geziener:” Franckfurt-am-Mayn, Anno MDCXIX. 8vo, pp.
447. At p. 290, Emb. 65, with the words “UBI ES?” there is the figure
of Adam hiding behind a tree, and among descriptive stanzas in seven
or eight languages, are some intended to be specimens of the language
at that day spoken and written in Britain:—
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account