Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616 — John Shaqi
Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616Green, Henry
History
Shakespeare and the Emblem Writers: an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616
Green, Henry
Emblem books, English -- History; Emblems -- England -- History; Emblems in literature; Shakespeare, William, 1564-1616 -- Sources
Availing ourselves of the Author’s remarks, p. 40, we yet prefer, on
account of some inaccuracies in his decyphering the Latin contractions,
giving our own description of this plate. The page is in _three_
divisions, all in the Gothic decorative style, with separating archways
between the subjects. In the _upper_ division, in the centre, are
seated, each in his niche, “Isaya” and “Dauid.” (See Plate VI.) In the
upper corners, on the right hand of the first, and on the left hand of
the second, are Latin inscriptions,—the former relating to Eve’s seed
bruising the serpent’s head, Genesis iii. c., and the latter to Gideon’s
fleece saturated with dew, Judges vi. c. The _middle_ compartment is a
triptych, consisting of Eve’s Temptation, the Annunciation by the Angel
to the Blessed Virgin; and Gideon in his armour, on his knees, with his
shield on the ground, watching the fleece. Over Eve’s Temptation there
is a scroll issuing from Isaiah’s niche, and having this inscription:
~“Ecce virgo concipiet et pariet filium,”~—_Behold a virgin shall
conceive and bear a son_, Is. vii. 14; Eve stands near the tree of life,
emblematized by God the Father among the branches,—and erect before her
is the serpent, almost on the tip of its tail, with its body slightly
curved. In the Annunciation appears a ray of light breathed upon the
Virgin from God the Father seated in the clouds, and in the ray are the
dove, the emblem of the Holy Spirit, descending, and an infant Christ
bearing his cross; the Angel stands before Mary addressing to her the
salutation, “~Ave gratiâ plena, dominus tecum~,”—_Hail full of
grace, the Lord is with thee_, Luke i. 28; and Mary, seated with a book
on her knees, and her hands devoutly crossed on her breast, replies,
“~Ecce, ancilla domini, fiat mihi~,”—Behold, _the handmaid of the
Lord, be it unto me_, Luke i. 38. Of Gideon and the fleece little needs
be said, except that over him from the niche of David issues a scroll
with the words “~Descendet dominus sicut pluvia in vellus~,” in
the Latin Vulgate, Ps. lxxi. 6, _i.e. The Lord shall descend as rain
upon the fleece_; but in the English version, Ps. lxxii. 6, _He shall
come down like rain upon the mown grass_. The Angel also addressing
Gideon bears a scroll, not quite legible, but evidently meaning,
“~Dominus tecum virorum fortissime~,” Judges vi. 12,—English
version, _The Lord is with thee, thou mighty man of valour_. The _lower_
compartment, like the upper, has in the centre two arched niches, which
contain, the one Ezekiel, the other Jeremiah; beneath Eve’s temptation
and Gideon’s omen are the alliterative and rhyming couplets
~“Vipera vim perdet,
Sine vi pariente puella.”~
and
~“Rore madet vellus
Permansit arida tellus;”~[38]
and beneath the Annunciation, “~Virgo salutatur, Innupta manens
gravidatur~.”
Public-domain text, read in full here on John Shaqi.
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