Shakespeare and the Modern Stage; with Other EssaysLee, Sidney, Sir
History
Shakespeare and the Modern Stage; with Other Essays
Lee, Sidney, Sir
Shakespeare, William, 1564-1616; Shakespeare, William, 1564-1616 -- Stage history
The scenic devices which distinguished the Restoration production of
_The Tempest_ have, indeed, hardly been excelled for ingenuity in our
own day. The arrangements for the sinking of the ship in the first
scene would do no discredit to the spectacular magnificence of the
London stage of our own day. The scene represented "a thick cloudy
sky, a very rocky coast, and a tempestuous sea in perpetual
agitation." "This tempest," according to the stage-directions, "has
many dreadful objects in it; several spirits in horrid shapes flying
down among the sailors, then rising and crossing in the air; and when
the ship is sinking, the whole house is darkened and a shower of fire
falls upon the vessel. This is accompanied by lightning and several
claps of thunder till the end of the storm." The stage-manager's notes
proceed:--"In the midst of the shower of fire, the scene changes. The
cloudy sky, rocks, and sea vanish, and when the lights return,
discover that beautiful part of the island, which was the habitation
of Prospero: 'tis composed of three walks of cypress trees; each
side-walk leads to a cave, in one of which Prospero keeps his
daughter, in the other Hippolito (the interpolated character of the
man who has never seen a woman). The middle walk is of great depth,
and leads to an open part of the island." Every scene of the play was
framed with equal elaborateness.
Pepys's comment on _The Tempest_, when he first witnessed its
production in such magnificent conditions, runs thus:--"The play has
no great wit but yet good above ordinary plays." Pepys subsequently,
however, saw the piece no less than five times, and the effect of the
music, dancing, and scenery, steadily grew upon him. On his second
visit he wrote:--"Saw _The Tempest_ again, which is very pleasant, and
full of so good variety, that I cannot be more pleased almost in a
comedy. Only the seamen's part a little too tedious." Finally, Pepys
praised the richly-embellished _Tempest_ without any sort of reserve,
and took "pleasure to learn the tune of the seamen's dance."
Public-domain text, read in full here on John Shaqi.
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