Other circumstances are no less promising. The justice of the cry for the due safeguarding of the country's dramatic art by means of publicly-organised effort has been repeatedly acknowledged of late by men of experience alike in dramatic and public affairs. In 1898 a petition was presented to the London County Council requesting that body to found and endow a permanent opera-house "in order to promote the musical interest and refinement of the public and the advancement of the art of music." The petition bore the signatures of two hundred leaders of public opinion, including the chief members of the dramatic profession. In this important document, particulars were given of the manner in which the State or the municipality aided theatres in France, Germany, Austria, and other countries of Europe. It was shown, that in France twelve typically efficient theatres received from public bodies an annual subsidy amounting in the aggregate to L130,000. The wording of the petition and the arguments employed by the petitioners were applicable to drama as well as to opera. In fact, the case was put in a way which was more favourable to the pretensions of drama than to those of opera. One argument which always tells against the establishment of a publicly-subsidised opera-house in London does not affect the establishment of a publicly-subsidised theatre. Opera is an exotic in England; drama is a native product, and has exerted in the past a wider influence and has attracted a wider sympathy than Italian or German music. The London County Council, after careful inquiry, gave the scheme of 1898 benevolent encouragement. Hope was held out that a site for either a theatre or an opera-house might be reserved "in connection with one of the contemplated central improvements of London." Nothing in the recent history of the London County Council gives ground for doubting that it will be prepared to give practical effect to a thoroughly matured scheme. Within the Council the principle of the municipal theatre has found powerful advocacy. Mr John Burns, who is not merely the spokesman of the working classes, but is a representative of earnest-minded students of literature, has supported the principle with generous enthusiasm. The intelligent artisans of London applaud his attitude. The London Trades Council passed resolutions in the autumn of 1901 recommending the erection of a theatre by the London County Council, "so that a higher standard of dramatic art might be encouraged and made more accessible to the wage-earning classes, as is the case in the State and municipal theatres in the principal cities on the Continent." The gist of the argument could hardly be put more pintally. [Transcriber's Note: so in original.]