We have, I think, sufficient testimony to Ben’s inability to refrain from
gibes at Shakspere’s want of scholarship. Rowe, who had traditions of
Davenant’s, tells how, in conversation with Suckling, Davenant, Endymion
Porter, and Hales of Eton, Ben harped on Will’s want of learning; and how
Hales snubbed him. Indeed, Ben could have made mirth enough out of _The
Winter’s Tale_. For, granting to Mr. Greenwood {45a} that “the mention
of Delphos suggests the Bohemia of a much earlier date, and under the
reign of Ottocar (1255–78) Bohemia extended from the Adriatic to the
shores of the Baltic,” that only makes matters far worse. “Delphos”
never was a place-name; there was no oracle on the isle of “Delphos”;
there were no Oracles in 1255–78 (A.D.); and Perdita, who could have sat
for her portrait to Giulio Romano, was contemporary with an Oracle at
_Delphos_, but not with Ottocar.
There never was so mad a mixture, not even in _Ivanhoe_; not even in
_Kenilworth_. Scott erred deliberately, as he says in his prefaces; but
Will took the insular oracle of Delphos from Greene, inserted Giulio
Romano “for his personal diversion,” never heard of Ottocar (no more than
I), and made a delightful congeries of errors in gaiety of heart. Nobody
shall convince me that Francis Bacon was so charmingly irresponsible; but
I cannot speak so confidently of Mr. Greenwood’s Great Unknown, a severe
scholar, but perhaps a frisky soul. There was no region called Bohemia
when the Delphic oracle was in vigour;—this apology (apparently contrived
by Sir Edward Sullivan) is the most comic of erudite reflections.
Some cruel critic has censured the lovely speech of Perdita, concerning
the flowers which Proserpine let fall, when she was carried off by Dis.
How could she, brought up in the hut of a Bohemian shepherd, know
anything of the Rape of Proserpine? Why not, as she lived in the days of
the Delphic Oracle—and Giulio Romano, and of printed ballads.
It is impossible, Baconians cry, that the rabbit-stealer, brought up
among the Audreys and Jaquenettas of Warwickshire, should have created
the noble and witty ladies of the Court; and known the style of his
Armado; and understood how dukes and kings talk among themselves—usually
in blank verse, it appears.
Public-domain text, read in full here on John Shaqi.
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