Following this practice, Davies had to call Will either “our English Terence,” or “our English Plautus.” Aristophanes would not have been generally recognised; and Will was no more like one of these ancient authors than another. Thus Davies was apt to choose either Plautus or Terence; it was even betting which he selected. But he chanced to choose Terence; and this is “curious,” and suggests suspicions to Mr. Greenwood—and the Baconians. They are so very full of suspicions! It does not suit the Baconians, or Mr. Greenwood, to find contemporary recognition of Will as an author. {0i} Consequently, Mr. Greenwood finds Davies’s “curious, and at first sight, inappropriate comparison of ‘Shake-speare’ to Terence worthy of remark, for Terence is the very author whose name is alleged to have been used as a mask-name, or _nom de plume_, for the writings of great men who wished to keep the fact of their authorship concealed.” Now Davies felt bound to bring in _some_ Roman parallel to Shakespeare; and had only the choice of Terence or Plautus. Meres (1598) used Plautus; Davies used Terence. Mr. Greenwood {0j} shows us that Plautus would not do. “Could _he_” (Shakespeare) “write only of courtesans and _cocottes_, and not of ladies highly born, cultured, and refined? . . . ” “The supposed parallel” (Plautus and Shakespeare) “breaks down at every point.” Thus, on Mr. Greenwood’s showing, Plautus could not serve Davies, or should not serve him, in his search for a Roman parallel to “good Will.” But Mr. Greenwood also writes, “if he” (Shakespeare) “was to be likened to a Latin comedian, surely Plautus is the writer with whom he should have been compared.” {0k} Yet Plautus was the very man who cannot be used as a parallel to Shakespeare. Of course no Roman nor any other comic dramatist closely resembles the _author_ of _As You Like It_. They who selected either Plautus or Terence meant no more than that both were celebrated comic dramatists. Plautus was no parallel to Will. Yet “surely Plautus is the author to whom he should have been compared” by Davies, says Mr. Greenwood. If Davies tried Plautus, the comparison was bad; if Terence, it was “curious,” as Terence was absurdly accused of being the “_nom de plume_” of some great “concealed poets” of Rome. “From all the known facts about Terence,” says a Baconian critic (who has consulted Smith’s _Biographical Dictionary_), “it is an almost unavoidable inference that John Davies made the comparison to Shakspere because he knew of the point common to both cases.” The common point is taken to be, not that both men were famous comic dramatists, but that Roman literary gossips said, and that Baconians and Mr. Greenwood say, that “Terence” was said to be a “mask-name,” and that “Shakespeare” is a mask-name. Of the second opinion there is not a hint in literature of the time of good Will.