Shakespeare, William, 1564-1616 -- Stage history; Theater -- England
The introduction of women players led to one of the evils connected with
the star system. So long as boys acted the women's parts there was no
danger of any woman's character being made over-prominent to the extent of
unbalancing the play. But when Mrs. Siddons became famous by her
impersonation of Lady Macbeth, it may be contended, without prejudice to
the talent of the actress, that the character ceased to represent
Shakespeare's point of view. This is the more to be regretted in view of
Mrs. Siddons' confession that her personality was not suited to the part.
There was, besides, another drawback unfortunately in that, during the
eighteenth century, the part of Lady Macduff dropped out of the playbill,
thus removing from the play the one person in it whose presence was
necessary for the proper understanding of Lady Macbeth's character. The
appearance of Lady Macduff on the stage affords opportunity for the
reflection that Duncan's murder would never have taken place had she been
Macbeth's wife. Yet she, too, has shortcomings to which she falls a
victim, for when the assassins are at her door she exclaims:
"Whither should I fly?
I have done no harm. But I remember now
I am in this earthly world, where to do harm
Is often laudable; to do good, sometime,
Accounted dangerous folly: why then, alas!
Do I put up that womanly defence,
To say, I have done no harm?"
Now, admirable as this reflection is from an ethical standpoint, it is not
appropriate to the moment, and in Lady Macbeth's eyes it would have been
"dangerous folly" to talk moral platitudes at such a time. In fact, if the
mistress of Inverness Castle had been placed in Lady Macduff's cruel
position, it is more than likely she would have had the courage and the
energy to save her own life and those of her children from the fury of
Macbeth. Nor is it inconceivable that if Lady Macbeth had married a man of
stronger moral fibre than her husband, she might have lived a useful life,
loved and respected by all who knew her. And yet, unhappily for both
women, neither Macbeth nor Macduff were fine types of manhood.
Public-domain text, read in full here on John Shaqi.
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