Shakespeare's Bones: The Proposal to Disinter Them, Considered in Relation to Their Possible Bearing on His Portraiture: Illustrated by Instances of Visits of the Living to the DeadIngleby, C. M. (Clement Mansfield)
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Shakespeare's Bones: The Proposal to Disinter Them, Considered in Relation to Their Possible Bearing on His Portraiture: Illustrated by Instances of Visits of the Living to the Dead
“The vault was accordingly further opened and explored, and the palled
coffin, which was of lead, and bore the inscription ‘King Charles, 1648,’
was opened at the head. A second Charles I, coffin of wood was thus
disclosed, and, through this, the body carefully wrapped up in
cere-cloth, into the folds of which a quantity of unctuous or greasy
matter, mixed with resin, as it seemed, had been melted, so as to
exclude, as effectually as possible, the external air. The coffin was
completely full; and, from the tenacity of the cere-cloth, great
difficulty was experienced in detaching it successfully from the parts
which it enveloped. Wherever the unctuous matter had insinuated itself,
the separation of the cere-cloth was easy; and when it came off, a
correct impression of the features to which it had been applied was
observed in the unctuous substance. {23} At length the whole face was
disengaged from its covering. The complexion of the skin was dark and
discoloured. The forehead and temples had lost little or nothing of
their muscular substance; the cartilage of the nose was gone; but the
left eye, in the first moment of exposure, was open and full, though it
vanished almost immediately: and the pointed beard, so characteristic of
the reign of King Charles, was perfect. The shape of the face was a long
oval; many of the teeth remained; and the left ear, in consequence of the
interposition of the unctuous matter between it and the cere-cloth, was
found entire.”
The head was found to be loose, and was once more held up to view; and
after a careful examination of it had been made, and a sketch taken, and
the identity fully established, it was immediately replaced in the
coffin, which was soldered up and restored to the vault. Of the other
two coffins, the larger one had been battered in about the middle, and
the skeleton of Henry VIII, exhibiting some beard upon the chin, was
exposed to view. The other coffin was left, as it was found, intact.
Neither of these coffins bore any inscription.
In the Appendix to Allan Cunningham’s _Life of Burns_ {24} we read of an
examination of the poet’s Tomb, made immediately after that life was
published:
“When Burns’ Mausoleum was opened in March, 1834, to receive the remains
of his widow, some residents in Dumfries obtained the consent of her
nearest relative to take a cast from the cranium of the poet. This was
done during the night between the 31st March and 1st April. Mr.
Archibald Blacklock, surgeon, drew up the following description:
“The cranial bones were perfect in every respect, if we except a
little erosion of their external table, and firmly held together by
their sutures, &c., &c. Having completed our intention [_i.e._, of
taking a plaster cast of the skull, washed from every particle of
sand, &c.], the skull, securely closed in a leaden case, was again
committed to the earth, precisely where we found it.—Archd.
Blacklock.’”
Public-domain text, read in full here on John Shaqi.
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