Shakespeare's Bones: The Proposal to Disinter Them, Considered in Relation to Their Possible Bearing on His Portraiture: Illustrated by Instances of Visits of the Living to the Dead — John Shaqi
Shakespeare's Bones: The Proposal to Disinter Them, Considered in Relation to Their Possible Bearing on His Portraiture: Illustrated by Instances of Visits of the Living to the DeadIngleby, C. M. (Clement Mansfield)
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Shakespeare's Bones: The Proposal to Disinter Them, Considered in Relation to Their Possible Bearing on His Portraiture: Illustrated by Instances of Visits of the Living to the Dead
{29} The case of Dante has been recently alluded to, as if it were one
of exhumation. But despite the efforts of the Florentines to recover the
remains of their great poet, they still rest at Ravenna, in the grave in
which they were deposited immediately after his death.
{31} _Traditionary Anecdotes of Shakespeare_. 1883, p. 11.
{32} _Outlines of the Life of Shakespeare_. 3rd edition, 1883, p. 223.
{33} _Life Portraits of Shakespeare_. 1864, p. 10.
{34} _Shakespeare_: _The Man and The Book_. _Part I_, p. 79.
{35} As to this, see an article contributed by me to _The Antiquary_ for
September, 1880: also the _Shakespeare Jahrbuch_, vol. x, 1875, for Dr.
Schaafhausen’s views.
{37} There is no engraving by “Dunbar”: that name was Friswell’s mistake
for Dunkarton. Boaden’s “absolute fac-simile” and “no difference
whatever,” (_Inquiry_, 1. p., page 137) are expressions not borne out by
the engravings. My old friend, the Rev. Charles Evans, Rector of
Solihull, who possesses the almost unrivalled Marsh Collection of
Engraved Portraits of Shakespeare, at my request compared Cooper’s
engraving of the Croker portrait with those by Dunkarton, Earlom, and
Turner, of the Janssen: and he writes: “In the Cooper the face is peaked,
the beard more pointed, and the ruff different in the points.” After
all, such differences may well be the creation of the engravers. I would
fain know where the Croker portrait now is; and also that which belonged
to the late Dr. Turton, Bishop of Ely.
{39} _A Study of Shakespeare’s Portraits_. 1876, p. 23.
{45} This is exactly as it stands upon the existing gravestone, not as
it is reproduced by the writer in the _Atlantic Monthly_: the like as to
the two lines of the epitaph in No. 6. The manuscript of Dowdall,
referred to on p. 31 _ante_, is unfortunately modernized in _Traditionary
Anecdotes_. He has, indeed ‘friend,’ and ‘these,’ as in the pamphlet
version, but also ‘digg,’ and ‘inclosed.’ Dowdall, however, was a very
inaccurate copyist. See fac-simile in Mr. J. O. Halliwell’s Folio
Shakespeare, vol. i, inserted between pp. 78 and 79. The Dowdall
manuscript does not give the epitaph in capitals, except the initials.
Public-domain text, read in full here on John Shaqi.
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