Shakespeare's Christmas, and other stories — John Shaqi
Shakespeare's Christmas, and other storiesQuiller-Couch, Arthur
General
Shakespeare's Christmas, and other stories
Quiller-Couch, Arthur
English fiction -- 20th century; Short stories, English
"Right again: it comes from the kennels by the Bear-Pit. Have you a
wish, my friend, to make nearer acquaintance with these dogs? No? With
the bears, then? Say the word, and inside of a minute I can whistle up
your two-pennyworth."
The wagoner with a dropping jaw stared from one to another of the ring
of faces in the lantern-light. They were quiet, determined. Only the
apprentice stood with ears pricked, as it were, and shivered at the
distant baying.
"No offence, Sir; I meant no offence, you'll understand," the wagoner
stammered.
"Nay, call your mates, man!" spoke up William Shakespeare, sudden
and sharp, and with a scornful ring in his voice which caused our
apprentice to jump. "Call them in and let us hear you expound Master
Burbage's proposal. I am curious to see how they treat you--having an
opinion of my own on crowds and their leaders."
But the wagoner had swung about surlily on his heel.
"I'll not risk disputing it," he growled. "'Tis your own dung-hill, and
I must e'en take your word that 'tis worse than e'er a man thought. But
one thing I'll not take back. You're a muck of play-actors, and a man
that touches ye should charge for his washing. Gr-r!" he spat--"ye're
worse than Patty Ward's sow, and _she_ was no lavender!"
IV
The Bankside was demure. But for the distant baying of dogs which kept
him shivering, our apprentice had been disappointed in the wickedness
of it.
He had looked to meet with roisterers, to pass amid a riot of taverns,
to happen, belike, upon a street scuffle, to see swords drawn or
perchance to come upon a body stretched across the roadway and hear the
murderers' footsteps in the darkness, running. These were the pictures
his imagination had drawn and shuddered at: for he was a youth of small
courage.
But the Bankside was demure; demure as Chepe. The waterside lanes
leading to Mistress Witwold's at the corner of Paris Gardens differed
only from Chepe in this--that though the hour was past midnight, every
other door stood open or at least ajar, showing a light through the
fog. Through some of these doorways came the buzz and murmur of voices,
the tinkling of stringed instrument. Others seemed to await their
guests. But the lanes themselves were deserted.
From the overhanging upper storeys lights showed here and there through
the chinks of shutters or curtains. Once or twice in the shadows
beneath, our apprentice saw, or thought he saw, darker shadows draw
back and disappear: and gradually a feeling grew upon him that all
these shadows, all these lidded upper windows, were watching, following
him with curious eyes. Again, though the open doorways were bright
as for a fête, a something seemed to subdue the voices within--a
constraint, perhaps an expectancy--as though the inmates whispered
together in the pauses of their talk and between the soft thrumming of
strings. He remarked, too, that his companions had fallen silent.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account