Shakespeare's Christmas, and other storiesQuiller-Couch, Arthur
General
Shakespeare's Christmas, and other stories
Quiller-Couch, Arthur
English fiction -- 20th century; Short stories, English
"Very well. The landlord, being a skinflint, was willing to renew
the lease, but must raise the rent. If they refuse to pay it, the
playhouse fell to him. You may fancy how the Burbages called gods and
men to witness. Being acquainted with players, you must know how little
they enjoy affliction until the whole town shares it. Never so rang
Jerusalem with all the woes of Jeremy as did City and suburb,--from
north beyond Bishopsgate to south along the river, with the cursings
of this landlord, who--to cap the humour of it--is a precisian, and
never goes near a playhouse. Nevertheless, he patched up a truce for
two years ending to-night, raising the rent a little, but not to the
stretch of his demands. To-morrow--or, rather, the day after, since
to-morrow is Christmas--the word is pay or quit. But in yielding this
he yielded our friends the counterstroke. They have bought a plot
across the water, in the Clink Liberty: and to-morrow, should he pass
this way to church, no theatre will be here for him to smack his
Puritan lips over. But for this hammering and the deep slush outside
you might even now hear the rumbling of wagons; for wagons there be, a
dozen of them, ready to cart the Muses over the bridge before midnight.
'Tis the proper vehicle of Thespis. See those dozen stout rascals
lifting the proscenium----"
The countryman smote his great hands together, flung back his head, and
let his lungs open in shout after shout of laughter.
"But, master----"
"Oh--oh--oh! Hold my sides, lad, or I start a rib.... Nay, if you keep
st-staring at me with that s-sol-ol-ol-emn face. Don't--oh, _don't_!"
"Now I know," murmured the apprentice, "what kind of jest goes down in
the country: and, by'r Lady, it goes deep!"
But an instant later the man had heaved himself upon his feet; his eyes
expanded from their creases into great O's; his whole body towered and
distended itself in gigantic indignation. "The villain! The nipcheese
curmudgeonly villain! And we tarry here, talking, while such things are
done in England! A Nabal, I say. Give me a hammer!" He heaved up an
enormous thigh and bestrode the gallery-rail.
"Have a care, master: the rail----"
"A hammer! Below there. A hammer!" He leaned over, bellowing. The gang
of workmen lifting the proscenium stared up open-mouthed into the foggy
gloom--a ring of ghostly faces upturned in a luminous haze.
Already the man's legs dangled over the void. Twelve, fifteen feet
perhaps, beneath him projected a lower gallery, empty but for three
tiers of disordered benches. Plumb as a gannet he dropped, and an
eloquent crash of timber reported his arrival below. The apprentice,
craning over, saw him regain his feet, scramble over the second rail,
and vanish. Followed an instant's silence, a dull thud, a cry from the
workmen in the area. The apprentice ran for the gallery stairs and
leapt down them, three steps at a time.
Public-domain text, read in full here on John Shaqi.
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