England -- Description and travel; Literary landmarks -- England; Shakespeare, William, 1564-1616 -- Homes and haunts -- England
English flowers are exceptional for substance and pomp. The roses, in
particular--though some of them, it should be said, are of French
breeds--surpass all others. It may seem an extravagance to say, but it
is certainly true, that these rich, firm, brilliant flowers affect you
like creatures of flesh and blood. They are, in this respect, only to be
described as like nothing in the world so much as the bright lips and
blushing cheeks of the handsome English women who walk among them and
vie with them in health and loveliness. It is easy to perceive the
source of those elements of warmth and sumptuousness that are so
conspicuous in the results of English taste. It is a land of flowers.
Even in the busiest parts of London the people decorate their houses
with them, and set the sombre, fog-grimed fronts ablaze with scarlet and
gold. These are the prevalent colours--radically so, for they have
become national--and, when placed against the black tint with which this
climate stains the buildings, they have the advantage of a vivid
contrast that much augments their splendour. All London wears crape,
variegated with a tracery of white, like lace upon a pall. In some
instances the effect is splendidly pompous. There cannot be a grander
artificial object in the world than the front of St. Paul's cathedral,
which is especially notable for this mysterious blending of light and
shade. It is to be deplored that a climate which can thus beautify
should also destroy; but there can be no doubt that the stones of
England are steadily defaced by the action of the damp atmosphere.
Already the delicate carvings on the palace of Westminster are beginning
to crumble. And yet, if one might judge the climate by this glittering
July, England is a land of sunshine as well as of flowers. Light comes
before three o'clock in the morning, and it lasts, through a dreamy and
lovely gloaming, till nearly ten o'clock at night. The morning sky is
usually light blue, dappled with slate-coloured clouds. A few large
stars are visible then, lingering to outface the dawn. Cool winds
whisper, and presently they rouse the great, sleepy, old elms; and then
the rooks--which are the low comedians of the air in this region--begin
to grumble; and then the sun leaps above the horizon, and we sweep into
a day of golden, breezy cheerfulness and comfort, the like of which is
rarely or never known in northern America, between June and October.
Sometimes the whole twenty-four hours have drifted past, as if in a
dream of light, and fragrance, and music. In a recent moonlight time
there was scarce any darkness at all; and more than once I have lain
awake all night, within a few miles of Charing Cross, listening to a
twitter of birds that is like the lapse and fall of silver water. It
used to be difficult to understand why the London season should begin in
May and last through most of the summer; it is not difficult to
understand the custom now.
Public-domain text, read in full here on John Shaqi.
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