England -- Description and travel; Literary landmarks -- England; Shakespeare, William, 1564-1616 -- Homes and haunts -- England
It has already survived serious perils and vicissitudes. By
Shakespeare's will it was bequeathed to his sister Joan--Mrs. William
Hart--to be held by her, under the yearly rent of twelvepence, during
her life, and at her death to revert to his daughter Susanna and her
descendants. His sister Joan appears to have been living there at the
time of his decease, in 1616. She is known to have been living there in
1639--twenty-three years later,--and doubtless she resided there till
her death, in 1646. The estate then passed to Susanna--Mrs. John
Hall,--from whom in 1649 it descended to her grandchild, Lady Barnard,
who left it to her kinsmen, Thomas and George Hart, grandsons of Joan.
In this line of descent it continued--subject to many of those
infringements which are incidental to poverty--till 1806, when William
Shakespeare Hart, the seventh in collateral kinship from the poet, sold
it to Thomas Court, from whose family it was at last purchased for the
British nation. Meantime the property, which originally consisted of two
tenements and a considerable tract of adjacent land, had, little by
little, been curtailed of its fair proportions by the sale of its
gardens and orchards. The two tenements--two in one, that is--had been
subdivided. A part of the building became an inn--at first called "The
Maidenhead," afterward "The Swan," and finally "The Swan and
Maidenhead." Another part became a butcher's shop. The old
dormer-windows and the pent-house disappeared. A new brick casing was
foisted upon the tavern end of the structure. In front of the butcher's
shop appeared a sign announcing "William Shakespeare was born in this
house: N.B.--A Horse and Taxed Cart to Let." Still later appeared
another legend, vouching that "the immortal Shakespeare was born in this
house." From 1793 till 1820 Thomas and Mary Hornby, connections by
marriage with the Harts, lived in the Shakespeare cottage--now at length
become the resort of literary pilgrims,--and Mary Hornby, who set up to
be a poet and wrote tragedy, comedy, and philosophy, took delight in
exhibiting its rooms to visitors. During the reign of that eccentric
custodian the low ceilings and whitewashed walls of its several chambers
became covered with autographs, scrawled thereon by many enthusiasts,
including some of the most famous persons in Europe. In 1820 Mary Hornby
was requested to leave the premises. She did not wish to go. She could
not endure the thought of a successor. "After me, the deluge!" She was
obliged to abdicate; but she conveyed away all the furniture and relics
alleged to be connected with Shakespeare's family, and she hastily
whitewashed the cottage walls. Only a small part of the wall of the
upper room, the chamber in which "nature's darling" first saw the light,
escaped that act of spiteful sacrilege. On the space behind its door may
still be read many names, with dates affixed, ranging back from 1820 to
1729. Among them is that of Dora Jordan, the beautiful and fascinating
Public-domain text, read in full here on John Shaqi.
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