England -- Description and travel; Literary landmarks -- England; Shakespeare, William, 1564-1616 -- Homes and haunts -- England
It is not strange that Englishmen should be--as certainly they
are--passionate lovers of their country; for their country is, almost
beyond parallel, peaceful, gentle, and beautiful. Even in vast London,
where practical life asserts itself with such prodigious force, the
stranger is impressed, in every direction, with a sentiment of repose
and peace. This sentiment seems to proceed in part from the antiquity of
the social system here established, and in part from the affectionate
nature of the English people. Here are finished towns, rural regions
thoroughly cultivated and exquisitely adorned; ancient architecture,
crumbling in slow decay; and a soil so rich and pure that even in its
idlest mood it lights itself up with flowers, just as the face of a
sleeping child lights itself up with smiles. Here, also, are soft and
kindly manners, settled principles, good laws, wise customs--wise,
because rooted in the universal attributes of human nature; and, above
all, here is the practice of trying to live in a happy condition instead
of trying to make a noise about it. Here, accordingly, life is soothed
and hallowed with the comfortable, genial, loving spirit of home. It
would, doubtless, be easily possible to come into contact here with
absurd forms and pernicious abuses, to observe absurd individuals, and
to discover veins of sordid selfishness and of evil and sorrow. But the
things that first and most deeply impress the observer of England and
English society are their potential, manifold, and abundant sources of
beauty, refinement, and peace. There are, of course, grumblers. Mention
has been made of a person who, even in heaven, would complain that his
cloud was damp and his halo a misfit. We cannot have perfection; but the
man who could not be happy in England--in so far, at least, as happiness
depends upon external objects and influences--could not reasonably
expect to be happy anywhere.
Public-domain text, read in full here on John Shaqi.
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