[43] Yeatman's "Gentle Shakespeare," pp. 138-142. [44] Court Rolls, General Series, Portfolio 207, No. 99. [45] Addit. MSS., Brit. Mus. (24,500). [46] Mr. Yeatman's "Gentle Shakespeare," p. 142. [47] Court Roll, No. 10, p. 207. [48] Nash's "Worcestershire," vol. ii., account of Tardebigg. See Augmentation Books, October 14, 1539, 233, f. 8. [49] Hunter's "Prolusions," p. 9. [50] Wood's Colleges. Fasti Oxoniensis, Bliss, 1815. Wood, Antiq. Oxon., L. 2, 341. Boase, Reg. Univ. Oxon. Newcourt's "Repertorium." CHAPTER IV THE SHAKESPEARE COAT OF ARMS [Illustration: NON SANZ DROICT.] None of the family seem to have risen above the heraldic horizon till John Shakespeare applied for his coat of arms. Into the contest over that application it is well to plunge at once, and thence work backwards and forwards. Four classes of writers wage war over the facts: the Baconians, like the late Mr. Donnelly, who deny everything; the Romanticists, who accept what is pleasant, and occasionally believe manufactured tradition to suit their inclinations; the agnostic Shakespeareans, like Halliwell-Phillipps, who really work, but believe only what they can see and touch, if it accords with their opinions; and the ingenuous workers who seek saving truth like the agnostics, but bring human influences and natural inferences to bear on dusty records. Now, Halliwell-Phillipps does not scruple to affirm that three heralds,[51] the worthy ex-bailiff of Stratford, and the noblest poet the world has ever produced, were practically liars in this matter, because they make statements that do not harmonize with the limits of his knowledge and the colour of his opinions. From his grave the poet protests-- "Good name in man or woman, dear my lord, Is the immediate jewel of their souls. Who steals my purse steals trash.... But he who filches from me my good name Robs me of that, which not enriches him, But leaves me poor indeed." _Othello_, Act III., Scene 3.