Pro. And mine shall.
Hast thou (which art but aire) a touch, a feeling
Of their afflictions, and shall not my selfe,
One of their kinde, that rellish all as sharpely,
Passion as they, be kindlier mou'd then thou art?
Thogh with their high wrongs I am strook to th' quick,
Yet, with my nobler reason, gainst my furie
Doe I take part: the rarer Action is
In vertue, then in vengeance: they, being penitent,
The sole drift of my purpose doth extend
Not a frowne further: Goe, release them Ariell,
My Charmes Ile breake, their sences Ile restore,
And they shall be themselues
Ar. Ile fetch them, Sir.
Enter.
Pro. Ye Elues of hils, brooks, sta[n]ding lakes & groues,
And ye, that on the sands with printlesse foote
Doe chase the ebbingNeptune, and doe flie him
When he comes backe: you demy-Puppets, that
By Moone-shine doe the greene sowre Ringlets make,
Whereof the Ewe not bites: and you, whose pastime
Is to make midnight-Mushrumps, that reioyce
To heare the solemne Curfewe, by whose ayde
(Weake Masters though ye be) I haue bedymn'd
The Noone-tide Sun, call'd forth the mutenous windes,
And twixt the greene Sea, and the azur'd vault
Set roaring warre: To the dread ratling Thunder
Haue I giuen fire, and rifted Ioues stowt Oke
With his owne Bolt: The strong bass'd promontorie
Haue I made shake, and by the spurs pluckt vp
The Pyne, and Cedar. Graues at my command
Haue wak'd their sleepers, op'd, and let 'em forth
By my so potent Art. But this rough Magicke
I heere abiure: and when I haue requir'd
Some heauenly Musicke (which euen now I do)
To worke mine end vpon their Sences, that
This Ayrie-charme is for, I'le breake my staffe,
Bury it certaine fadomes in the earth,
And deeper then did euer Plummet sound
Ile drowne my booke.
Solemne musicke.
Heere enters Ariel before: Then Alonso with a franticke gesture,
attended
by Gonzalo. Sebastian and Anthonio in like manner attended by
Adrian and
Francisco: They all enter the circle which Prospero had made, and
there
stand charm'd: which Prospero obseruing, speakes.
Public-domain text, read in full here on John Shaqi.
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