Shakespeare's play of the Merchant of Venice: Arranged for Representation at the Princess's Theatre, with Historical and Explanatory Notes by Charles Kean, F.S.A.Shakespeare, William
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Shakespeare's play of the Merchant of Venice: Arranged for Representation at the Princess's Theatre, with Historical and Explanatory Notes by Charles Kean, F.S.A.
_Lor_. Who comes so fast in silence of the night?
_Bal_. A friend,
_Lor_. A friend? what friend? your name, I pray you,
friend.
_Bal_. Balthazar is my name: and I bring word,
My mistress will before the break of day
Be here at Belmont.
I pray you, is my master yet return'd?
_Lor_. He is not, nor we have not heard from him.--
But go we in, I pray thee, Jessica,
And ceremoniously let us prepare
Some welcome for the mistress of the house.
_Enter_ LANCELOT.
_Lau_. Sola, sola, we ha, ho, sola, sola.
_Lor_. Who calls?
_Lau_. Sola! Did you see master Lorenzo, and mistress Lorenzo? sola,
sola
_Lor_. Leave holloing, man; here.
_Lau_. Sola! where? where?
_Lor_. Here.
_Lau_. Tell him, there's a post come from my master, with his horn full
of good news; my master will be here ere morning.
[_Exit_.
_Lor_. My friend Balthazar, signify, I pray you,
Within the house, your mistress is at hand:
And bring your music forth into the air. [_Exit_ BALTHAZAR.
How sweet the moon-light sleeps upon this bank!
Here will we sit, and let the sounds of music
Creep in our ears: soft stillness, and the night,
Become the touches of sweet harmony.
Sit, Jessica. Look how the floor of heaven
Is thick inlaid with patines[114] of bright gold.
There's not the smallest orb which thou behold'st
But in his motion like an angel sings,
Still quiring to the young-eyed cherubins:
Such harmony is in immortal souls,
But whilst this muddy vesture of decay
Doth grossly close it in, we cannot hear it.--
_Enter_ MUSICIANS.
GLEE.[115]
It was a lover and his lass,
With a hey and a ho, and a hey nonino;
That o'er the green corn fields did pass,
In the spring-time, the pretty spring time,
When birds do sing, hey ding-a-ding, ding:--
Sweet lovers love the spring.
And therefore take the present time,
With a hey and a ho, and a hey nonino;
For love is crowned with the prime
In the spring-time, the pretty spring time,
When birds do sing, hey ding-a-ding, ding:--
Sweet lovers love the spring.
_Jes_. I am never merry when I hear sweet music.
_Lor_. The reason is your spirits are attentive:
For do but note a wild and wanton herd,
If any air of music touch their ears,
You shall perceive them make a mutual stand,
Their savage eyes turn'd to a modest gaze,
By the sweet power of music. Therefore, the poet
Did feign that Orpheus drew trees, stones, and floods;
Since nought so stockish, hard, and full of rage,
But music for the time doth change his nature:
The man that hath no music in himself,
Nor is not mov'd with concord of sweet sounds,
Is fit for treasons, stratagems, and spoils;
The motions of his spirit are dull as night,
And his affections dark as Erebus:
Let no such man be trusted.--Mark the music.
_Enter_ PORTIA _and_ NERISSA, _at a distance_.
_Por_. That light we see is burning in my hall.
How far that little candle throws his beams!
So shines a good deed in a naughty world. Music! hark!
Public-domain text, read in full here on John Shaqi.
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