Coventry, moreover, played an important part in the history of the English Drama. It was renowned for the religious plays performed by the Grey Friars of its great monastery, and kept up, though with diminished pomp, even after the dissolution of their establishment. It was not until 1580 that these pageants were entirely suppressed; and Shakespeare, who was then sixteen years old, may have been an eye-witness of the latest of them. No doubt he heard stories of their attractions in former times, when, as we are told by Dugdale, they were "acted with mighty state and reverence by the friars of this house, had theatres for the several scenes, very large and high, placed upon wheels, and drawn to all the eminent parts of the city for the better advantage of spectators; and contained the story of the New Testament composed into old English rhyme." There were forty-three of these ancient plays, performed by the monks until, as Tennyson puts it, "Bluff Harry broke into the spence, And turned the cowls adrift." When the boy Shakespeare saw them--if he did see them--they were played by the different guilds, or associations of tradespeople. Thus the Nativity and the Offering of the Magi, with the Flight into Egypt and the Slaughter of the Innocents, were rendered by the company of Shearmen and Tailors; the Smiths' pageant was the Crucifixion; that of the Cappers was the Resurrection; and so on. The account-books of the guilds are still extant, with charges for helmets for Herod and gear for his wife, for a beard for Judas and the rope to hang him, etc. In the accounts of the Drapers, whose pageant was the Last Judgment, we find outlays for a "link to set the world on fire," "the barrel for the earthquake," and kindred stage "properties." In the books of the Smiths or Armorers, some of the charges are as follows:-- "_Item_, paid for v. schepskens for gods cote and for makyng, iii_s._ _Item_, paid for mendyng of Herods hed and a myter and other thyngs, ii_s._ _Item_, paid for dressyng of the devells hede, viii_d._ _Item_, paid for a pair of gloves for god, ii_d._" The most elaborate and costly of the properties was "Hell-Mouth," which was used in several plays, but specially in the representation of the Last Judgment. This was a huge and grotesque head of canvas, with vast gaping mouth armed with fangs and vomiting flames. The jaws were made to open and shut, and through them the Devil made his entrance and the lost souls their exit. The making and repairing of this was a constant expense, and frequent entries like the following occur in the books of the guilds:-- "Paide for making and painting hell mouth, xii_d._ Paid for keping of fyer at hell mouthe, iiii_d._"