Shakespeare the Boy: With Sketches of the Home and School Life, Games and Sports, Manners, Customs and Folk-lore of the TimeRolfe, W. J. (William James)
History
Shakespeare the Boy: With Sketches of the Home and School Life, Games and Sports, Manners, Customs and Folk-lore of the Time
Rolfe, W. J. (William James)
Shakespeare, William, 1564-1616 -- Childhood and youth
_It yearn'd my heart._ That is, grieved it. Compare _Henry V._ iv.
3. 26: "It yearns me not when men my garments wear," etc.
=Page 150.=--_Jauncing._ Riding hard.
_Musits._ Holes (in fence or hedge) for creeping through. The word,
also spelled _muset_, is a diminutive of the obsolete _muse_, which
means the same. _Amaze_ here means bewilder.
_Wat._ A familiar name for a hare, as _Reynard_ for a fox, etc.
=Page 151.=--_Mr. John R. Wise._ Compare page 26 above.
=Page 155.=--The cut is a fac-simile of one in _The Booke
of Falconrie_ (1575), by George Turbervile, or Turberville
(1520?-1595?), an English poet, translator, and writer on hunting,
hawking, etc.
=Page 156.=--_Cotgrave._ Randle Cotgrave, an English lexicographer,
who died about 1634. His _French-English Dictionary_ (first
published in 1611) is still valuable in the study of French and
English philology.
=Page 159.=--_John Skelton._ An English scholar and poet, a protégé
of Henry VII. and the tutor of Henry VIII. He was born about 1460,
and probably died in 1529. "His rough wit and eccentric character
made him the hero of a book of 'merry tales.'"
=Page 160.=--_Some in their horse._ That is, their horses, the
word here being plural. Plurals and possessives of nouns ending in
_s_-sounds were often written without the additional syllable in
the time of Shakespeare. Cf. _King John_, ii. 1. 289: "Sits on his
horse back at mine hostess' door"; _Merchant of Venice_, iv. 1.
255: "Are there balance here to weigh the flesh?" etc.
=Page 163.=--_William Kemp dancing the Morris._ Kemp was a favorite
comic actor in the latter years of the reign of Elizabeth. He
acted in some of Shakespeare's plays and in some of Ben Jonson's,
when they were first put upon the stage. In 1599 he journeyed from
London to Norwich, dancing the Morris all the way. The next year
he published an account of the exploit, entitled _The Nine daies
wonder_. The cut here is a fac-simile of one on the title-page of
this pamphlet. It represents Kemp, with his attendant, Tom the
Piper, playing on the pipe and tabor. They spent four weeks on
the journey, nine days of which were occupied in the dancing. At
Chelmsford the crowd assembled to receive them was so great that
they were an hour in making their way through it to their lodgings.
At this town "a maid not passing fourteen years of age" challenged
Kemp to dance the Morris with her "in a great large room," and held
out a whole hour, at the end of which he was "ready to lie down"
from exhaustion. On another occasion a "lusty country lass" wanted
to try her skill with him, and "footed it merrily to Melford, being
a long mile." Between Bury and Thetford he performed the ten miles
in three hours. On portions of the journey the roads were very
bad, and his dancing was frequently interrupted by the hospitality
or importunity of the people along the route. At Norwich he was
received as an honored guest by the mayor of the city.
Public-domain text, read in full here on John Shaqi.
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