Shakespeare the Boy: With Sketches of the Home and School Life, Games and Sports, Manners, Customs and Folk-lore of the TimeRolfe, W. J. (William James)
History
Shakespeare the Boy: With Sketches of the Home and School Life, Games and Sports, Manners, Customs and Folk-lore of the Time
Rolfe, W. J. (William James)
Shakespeare, William, 1564-1616 -- Childhood and youth
That he was a good husband we may infer from the long epitaph of
his wife in Charlecote Church, which, after stating that she died
in 1595, at the age of 63, goes on thus: "all the time of her life
a true and faithful servant of her good God; never detected of any
crime or vice; in religion most sound; in love to her husband most
faithful and true; in friendship most constant; to what in trust
was committed to her most secret; in wisdom excelling; in governing
of her house and bringing up of youth in the fear of God that did
converse with her, most rare and singular; a great maintainer of
hospitality; greatly esteemed of her betters, misliked of none
unless of the envious. When all is spoken that can be said, a woman
so furnished and garnished with virtue as not to be bettered, and
hardly to be equalled by any. As she lived most virtuously, so she
died most godly. Set down by him that best did know what hath been
written to be true, _Thomas Lucy_."
The author of this beautiful tribute may have been a severe
magistrate, but he could not have been a Robert Shallow either in
his official capacity or as a man.
STRATFORD-ON-AVON.
Stratford lies on a gentle slope declining to the Avon, whose banks
are here shaded by venerable willows, which the poet may have had
in mind when he painted the scene of poor Ophelia's death:--
"There is a willow grows aslant a brook,
That shows his hoar leaves in the glassy stream."
The description could have been written only by one who had
observed the reflection of the white underside of the willow-leaves
in the water over which they hung. And I cannot help believing
that Shakespeare was mindful of the Avon when in far-away London
he wrote that singularly musical simile of the river in one of his
earliest plays, _The Two Gentlemen of Verona_, so aptly does it
give the characteristics of the Warwickshire stream:
"The current that with gentle murmur glides,
Thou know'st, being stopp'd, impatiently doth rage;
But when his fair course is not hindered,
He makes sweet music with the enamell'd stones,
Giving a gentle kiss to every sedge
He overtaketh in his pilgrimage;
And so by many winding nooks he strays,
With willing sport, to the wild ocean.
Then let me go, and hinder not my course:
I'll be as patient as a gentle stream,
And make a pastime of each weary step,
Till the last step have brought me to my love;
And there I'll rest, as, after much turmoil,
A blessed soul doth in Elysium."
The river cannot now be materially different from what it was three
hundred years ago, but the town has changed a good deal. I fear
that we might not have enjoyed a visit to it in that olden time as
we do in these latter days.
Public-domain text, read in full here on John Shaqi.
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