Shakespearean Playhouses: A History of English Theatres from the Beginnings to the RestorationAdams, Joseph Quincy
History
Shakespearean Playhouses: A History of English Theatres from the Beginnings to the Restoration
Adams, Joseph Quincy
Shakespeare, William, 1564-1616 -- Stage history -- To 1625; Theaters -- England -- London -- History
When in 1583 John Lyly became interested in the First Blackfriars
Playhouse, he obtained a lease of the rooms, but it is not clear for
what purpose. Later he sold the lease to Rocho Bonetti, the Italian
fencing-master, who established there his famous school of fence.[300]
In George Silver's _Paradoxes of Defence_, 1599, is a description of
Bonetti's school, which will, I think, help us to reconstruct in our
imagination the "great room, paved" which was destined to become
Shakespeare's playhouse:
He caused to be fairely drawne and set round about the
schoole all the Noblemen's and Gentlemen's Armes that were
his schollers, and, hanging right under their Armes, their
Rapiers, Daggers, Gloves of Male, and Gantlets. Also he had
benches and stooles, the roome being verie large, for
Gentlemen to sit about his schoole to behold his teaching.
He taught none commonly under twentie, fortie, fifty, or an
hundred pounds. And because all things should be verie
necessary for the Noblemen and Gentlemen, he had in his
schoole a large square table, with a green carpet, done
round with a verie brode rich fringe of gold; alwaies
standing upon it a verie faire standish covered with crimson
velvet, with inke, pens, pen-dust, and sealing-waxe, and
quiers of verie excellent fine paper, gilded, readie for the
Noblemen and Gentlemen (upon occasion) to write their
letters, being then desirous to follow their fight, to send
their men to dispatch their businesse.
And to know how the time passed, he had in one corner of his
Schoole, a Clocke, with a verie faire large diall; he had
within that Schoole a roome the which he called his privie
schoole, with manie weapons therein, where he did teach his
schollers his secret fight, after he had perfectly taught
them their rules. He was verie much loved in the Court.
[Footnote 300: _Ibid._, p. 122.]
We are further told by Silver that Bonetti took it upon himself "to
hit anie Englishman with a thrust upon anie button." It is no wonder
that Shakespeare ridiculed him in _Romeo and Juliet_ as "the very
butcher of a silk button," and laughed at his school and his fantastic
fencing-terms:
_Mercutio._ Ah! the immortal "passado"! the "punto reverso"!
the "hay"!
_Benvolio._ The what?
_Mercutio._ The pox of such antick, lisping, affecting
fantasticoes! These new tuners of accents!--"By Jesu, a very
good blade!"
At the date of the sale to Burbage, February 4, 1596, the fencing
school of Bonetti, had become "those rooms and lodgings, with the
kitchen thereunto adjoining, called the Middle Rooms or Middle
Stories, late being in the tenure or occupation of Rocco Bonetti, and
now being in the tenure or occupation of Thomas Bruskett, gentleman."
Public-domain text, read in full here on John Shaqi.
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