Shakespearean Playhouses: A History of English Theatres from the Beginnings to the RestorationAdams, Joseph Quincy
History
Shakespearean Playhouses: A History of English Theatres from the Beginnings to the Restoration
Adams, Joseph Quincy
Shakespeare, William, 1564-1616 -- Stage history -- To 1625; Theaters -- England -- London -- History
To make his playhouse Burbage removed all the partitions in the Middle
Rooms, and restored the Parlor to its original form--a great room
covering the entire breadth of the building, and extending fifty-two
feet in length from north to south. To this he added the Hall at the
north, which then existed as two rooms in the occupation of Peter
Johnson. The Hall and Parlor when combined made an auditorium
described as "per estimacionem in longitudine ab australe ad borealem
partem eiusdem sexaginta et sex pedes assissae sit plus sive minus, et
in latitudine ab occidentale ad orientalem partem eiusdem quadraginto
et sex pedes assissae sit plus sive minus."[301] The forty-six feet of
width corresponds to the interior width of the Frater building, for
although it was fifty-two feet wide in outside measurement, the stone
walls were three feet thick. The sixty-six feet of length probably
represents the fifty-two feet of the Parlor plus the breadth of the
Hall.
[Footnote 301: Wallace, _The Children of the Chapel at Blackfriars_,
p. 39, note 1.]
The ceiling of these two rooms must have been of unusual height. The
Infirmary, which was below the Parliament Chamber at the south, was
three stories high; and the windows of the Parlor, if we may believe
Pierce the Ploughman, were "wrought as a chirche":
An halle for an heygh kinge . an household to holden,
With brode bordes abouten . y-benched well clene,
With windowes of glas . wrought as a chirche.
[Illustration: REMAINS OF BLACKFRIARS
This remnant of the old monastery was discovered in 1872 on the
rebuilding of the offices of _The Times_. It illustrates the
substantial character of the Blackfriars buildings, and may even be a
part of the old Frater, for _The Times_ occupies that portion of the
monastery. The windows of the Frater, according to Pierce the
Ploughman, were "wrought as a chirche." (From a painting in the
Guildhall Museum.)]
As a result Burbage was able to construct within the auditorium at
least two galleries,[302] after the manner of the public theatres.
The Parliament Chamber above was kept, as I have stated, for
residential purposes. This is why the various legal documents almost
invariably refer to the playhouse as "that great hall or room, with
the rooms over the same."[303]
[Footnote 302: Mr. Wallace, _The Children of the Chapel at
Blackfriars_, p. 42, quotes from the Epilogue to Marston's _The Dutch
Courtesan_, acted at Blackfriars, "And now, my fine Heliconian
gallants, and you, my worshipful friends in the middle region," and
adds that the "reference to 'the middle region' makes it clear there
were three" galleries. Does it not, however, indicate that there were
only two galleries?]
Public-domain text, read in full here on John Shaqi.
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