Shakespearean Playhouses: A History of English Theatres from the Beginnings to the RestorationAdams, Joseph Quincy
History
Shakespearean Playhouses: A History of English Theatres from the Beginnings to the Restoration
Adams, Joseph Quincy
Shakespeare, William, 1564-1616 -- Stage history -- To 1625; Theaters -- England -- London -- History
[Footnote 303: See the documents printed in Fleay's _A Chronicle
History of the London Stage_, pp. 211, 215, 240, etc. Mr. Wallace,
however (_The Children of the Chapel at Blackfriars_, p. 40 ff.),
would have us believe that an additional story was added: "the roof
was changed, and rooms, probably of the usual dormer sort, were built
above." I am quite sure he is mistaken.]
The main entrance to the playhouse was at the north, over the "great
yard" which extended from the Pipe Office to Water Lane.[304] The
stage was opposite this entrance, or at the southern end of the hall,
as is shown by one of the documents printed by Mr. Wallace.[305] Since
the building was not, like the other playhouses of London, open to the
sky, the illumination was supplied by candles, hung in branches over
the stage; as Gerschow noted, after visiting Blackfriars, "alle bey
Lichte agiret, welches ein gross Ansehen macht."[306] The obvious
advantage of artificial light for producing beautiful stage effects
must have added not a little to the popularity of the Blackfriars
Playhouse.
[Footnote 304: Cf. Playhouse Yard in the London of to-day.]
[Footnote 305: _The Children of the Chapel at Blackfriars_, p. 43,
note 3.]
[Footnote 306: _The Diary of the Duke of Stettin-Pomerania_, in
_Transactions of the Royal Historical Society_ (1892), VI, 26.]
The cost of all the alterations and the equipment could hardly have
been less than L300, so that the total cost of the property was at
least L900, or in modern valuation approximately $35,000. Burbage's
sons, in referring to the building years later, declared that their
father had "made it into a playhouse with great charge."
"And," they added significantly, "with great trouble." The
aristocratic inhabitants of the Blackfriars precinct did not welcome
the appearance in their midst of a "public," or, as some more
scornfully designated it, a "common," playhouse; and when they
discovered the intentions of Burbage, they wrote a strong petition to
the Privy Council against the undertaking. This petition, presented to
the Council in November, 1596, I quote below in part:
Public-domain text, read in full here on John Shaqi.
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