Shakespearean Playhouses: A History of English Theatres from the Beginnings to the RestorationAdams, Joseph Quincy
History
Shakespearean Playhouses: A History of English Theatres from the Beginnings to the Restoration
Adams, Joseph Quincy
Shakespeare, William, 1564-1616 -- Stage history -- To 1625; Theaters -- England -- London -- History
In 1573 the situation seems to have approached a crisis. The Lord
Mayor had become strongly puritanical, and in his efforts to suppress
"stage-plays" was placing more and more obstacles in the way of the
actors. The temper of the Mayor is revealed in two entries in the
records of the Privy Council. On July 13, 1573, the Lords of the
Council sent a letter to him requesting him "to permit liberty to
certain Italian players"; six days later they sent a second letter,
repeating the request, and "marveling that he did it not at their
first request."[28] His continued efforts to suppress the drama
finally led the troupes to appeal for relief to the Privy Council. On
March 22, 1574, the Lords of the Council dispatched "a letter to the
Lord Mayor to advertise their Lordships what causes he hath to
restrain plays." His answer has not been preserved, but that he
persisted in his hostility to the drama is indicated by the fact that
in May the Queen openly took sides with the players. To the Earl of
Leicester's troupe she issued a special royal license, authorizing
them to act "as well within our city of London and liberties of the
same, as also within the liberties and freedoms of any our cities,
towns, boroughs, etc., whatsoever"; and to the mayors and other
officers she gave strict orders not to interfere with such
performances: "Willing and commanding you, and every of you, as ye
tender our pleasure, to permit and suffer them herein without any your
lets, hindrances, or molestation during the term aforesaid, any act,
statute, proclamation, or commandment heretofore made, or hereafter to
be made, to the contrary notwithstanding."
[Footnote 28: Dasent, _Acts of the Privy Council_, VIII, 131, 132.]
This license was a direct challenge to the authority of the Lord
Mayor. He dared not answer it as directly; but on December 6, 1574, he
secured from the Common Council the passage of an ordinance which
placed such heavy restrictions upon acting as virtually to nullify the
license issued by the Queen, and to regain for the Mayor complete
control of the drama within the city. The Preamble of this remarkable
ordinance clearly reveals the puritanical character of the City
Government:
Public-domain text, read in full here on John Shaqi.
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