Shakespearean Playhouses: A History of English Theatres from the Beginnings to the RestorationAdams, Joseph Quincy
History
Shakespearean Playhouses: A History of English Theatres from the Beginnings to the Restoration
Adams, Joseph Quincy
Shakespeare, William, 1564-1616 -- Stage history -- To 1625; Theaters -- England -- London -- History
For some reason, however, the debt was not settled, and Hide continued
his futile demands. Several times Burbage offered to pay the sum in
full if the title of the Theatre were made over to his son Cuthbert
Burbage; and Brayne's widow made similar offers in an endeavor to gain
the entire property for herself. But Hide, who seems to have been an
honest man, always declared that since Burbage and Brayne "did jointly
mortgage it unto him" he was honor-bound to assign the property back
to Burbage and the widow of Brayne jointly. So matters stood for a
while.
At last, however, in 1589, Hide declared that "since he had forborne
his money so long, he could do it no more, so as they that came first
should have it of him." Thereupon Cuthbert Burbage came bringing not
only the money in hand, but also a letter from his master and patron,
Walter Cape, gentleman usher to the Lord High Treasurer, requesting
Hide to make over the Theatre to Cuthbert, and promising in return to
assist Hide with the Lord Treasurer when occasion arose. Under this
pressure, Hide accepted full payment of his mortgage, and made over
the title of the property to Cuthbert Burbage. Thus Brayne's widow was
legally excluded from any share in the ownership of the Theatre. Myles
deposed, in 1592, that henceforth Burbage "would not suffer her to
meddle in the premises, but thrust her out of all."
This led at once to a suit, in which Robert Myles acted for the widow.
He received an order from the Court of Chancery in her favor, and
armed with this, and accompanied by two other persons, he came on
November 16, 1590, to Burbage's "dwelling house near the Theatre,"
called to the door Cuthbert Burbage, and in "rude and exclamable sort"
demanded "the moiety of the said Theatre." James Burbage "being within
the house, hearing a noise at the door, went to the door, and there
found his son, the said Cuthbert, and the said Myles speaking loud
together." Words were bandied, until finally Burbage, "dared by the
same Myles with great threats and words that he would do this and
could do that," lost his temper, and threatened to beat Myles off the
ground.[78]
[Footnote 78: Wallace, _op. cit._, pp. 57, 60, 62.]
Public-domain text, read in full here on John Shaqi.
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