Shakespearean Playhouses: A History of English Theatres from the Beginnings to the RestorationAdams, Joseph Quincy
History
Shakespearean Playhouses: A History of English Theatres from the Beginnings to the Restoration
Adams, Joseph Quincy
Shakespeare, William, 1564-1616 -- Stage history -- To 1625; Theaters -- England -- London -- History
provide charged pistols, with powder and hempseed, to shoot them in
the legs.'"[80]
[Footnote 80: Wallace, _op. cit._, pp. 63, 97, 100, 101, 114.]
But if the Burbages could laugh at the efforts of Myles and the widow
to secure a moiety of the Theatre from Cuthbert, they were seriously
troubled by the continued refusal of Gyles Alleyn to renew the lease.
James Burbage many times urged his landlord to fulfill the original
agreement, but in vain. At last, Alleyn, "according to his own will
and discretion, did cause a draft of a lease to be drawn, wherein were
inserted many unreasonable covenants." The new conditions imposed by
Alleyn were: (1) that Burbage should pay a rental of L24 instead of
L14 a year; (2) that he should use the Theatre as a place for acting
for only five years after the expiration of the original
twenty-one-year lease, and should then convert the building to other
uses; (3) that he should ultimately leave the building in the
possession of Alleyn.[81] The first and third conditions, though
unjust, Burbage was willing to accept, but the second condition--that
he should cease to use the Theatre for plays--he "utterly refused" to
consider.
[Footnote 81: See Wallace, _op. cit._, pp. 195, 212, 216, 250, 258,
_et al._]
Finally, perceiving that it was useless to deal further with Alleyn,
he made plans to secure a new playhouse in the district of
Blackfriars, a district which, although within the city walls, was not
under the jurisdiction of the city authorities. He purchased there the
old Blackfriars refectory for L600, and then at great expense made the
refectory into a playhouse. But certain influential noblemen and
others living near by protested against this, and the Privy Council
ordered that the building should not be used as a public playhouse.
All this belongs mainly to the history of the Second Blackfriars
Playhouse, and for further details the reader is referred to the
chapter dealing with that theatre.
Public-domain text, read in full here on John Shaqi.
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