It is impossible to give a connected history of the Curtain. Most of the references to it that we now possess are invectives in early puritanical writings, or bare mention, along with other playhouses, in letters or ordinances of the Privy Council and the Lord Mayor. Such references as these do not much help us in determining what companies successively occupied the building, or what varying fortunes marked its ownership and management. Yet a few scattered facts have sifted down to us, and these I have arranged in chronological order. On the afternoon of April 6, 1580, an earthquake, especially severe in Holywell, shook the building during the performance of a play, and greatly frightened the audience. Munday says merely: "at the playhouses the people came running forth, surprised with great astonishment";[126] but Stubbes, the Puritan, who saw in the event a "fearful judgment of God," writes with fervor: "The like judgment almost did the Lord show unto them a little before, being assembled at their theatres to see their bawdy interludes and other trumperies practised, for He caused the earth mightily to shake and quaver, as though all would have fallen down; whereat the people, sore amazed, some leapt down from the top of the turrets, pinnacles, and towers where they stood, to the ground, whereof some had their legs broke, some their arms, some their backs, some hurt one where, some another, and many score crushed and bruised."[127] [Footnote 126: _View of Sundry Examples_, 1580.] [Footnote 127: _The Anatomy of Abuses_, ed. F.J. Furnivall, New Shakspere Society, p. 180. For other descriptions of this earthquake see Halliwell-Phillipps, _Outlines_, I, 369.] The disturbance at the Theatre and the Curtain in 1584, when one Challes "did turn upon the toe upon the belly of" an apprentice "sleeping upon the grass" in the Field near by, has been mentioned in the preceding chapter. If the interpretation of the facts there given is correct, Lord Arundel's Players were then occupying the Curtain. In the winter of 1585 Lanman entered into his seven years' agreement with Burbage and Brayne by which the Theatre and the Curtain were placed under one management, and the profits shared "in divident between them." This agreement was faithfully kept by both parties, but there is no evidence that after the expiration of the seven years, in the winter of 1592, the affiliation was continued. What effect the arrangement had upon the companies of players occupying the two theatres we cannot now determine. To this period, however, I would assign the appearance of the Queen's Men at the Curtain.[128] [Footnote 128: _Tarlton's Jests_, ed. by J.O. Halliwell for the Shakespeare Society (1844), p. 16. For a discussion see the preceding chapter on the Theatre, p. 72.]