Shakspeare and His Times [Vol. 1 of 2]: Including the Biography of the Poet; criticisms on his genius and writings; a new chronology of his plays; a disquisition on the on the object of his sonnets; and a history of the manners, customs, and amusements, superstitions, poetry, and elegant literature of his age — John Shaqi
Shakspeare and His Times [Vol. 1 of 2]: Including the Biography of the Poet; criticisms on his genius and writings; a new chronology of his plays; a disquisition on the on the object of his sonnets; and a history of the manners, customs, and amusements, superstitions, poetry, and elegant literature of his ageDrake, Nathan
History
Shakspeare and His Times [Vol. 1 of 2]: Including the Biography of the Poet; criticisms on his genius and writings; a new chronology of his plays; a disquisition on the on the object of his sonnets; and a history of the manners, customs, and amusements, superstitions, poetry, and elegant literature of his age
Drake, Nathan
Dramatists, English -- Early modern, 1500-1700 -- Biography; England -- Civilization -- 16th century; English literature -- Early modern, 1500-1700 -- History and criticism; Shakespeare, William, 1564-1616; Shakespeare, William, 1564-1616 -- Homes and haunts -- England
—— "fed the little prattler, and with songs
Oft sooth'd his wond'ring ears,"
has been the object of laudable curiosity to thousands, and happily the
very roof that sheltered his infant innocence can still be pointed out.
It stands in Henley-street, and, though at present forming two separate
tenements, was originally but one house.[21:A] The premises are still
in possession of the Hart family, _now_ the _seventh_ descendants, in
a direct line, from Jone the sister of the poet. From the plate in
Reed's Shakspeare, which is a correct representation of the existing
state of this humble but interesting dwelling, it will appear, that
one portion of it is occupied by the Swan and Maidenhead public-house,
and the other by a butcher's shop, in which the son of old Mr. Thomas
Hart, mentioned in the last chapter, still carries on his father's
trade.[22:A] "The kitchen of this house," says Mr. Samuel Ireland, "has
an appearance sufficiently interesting, abstracted from its claim to
notice as relative to the Bard. It is a subject very similar to those
that so frequently employed the rare talents of Ostade, and therefore
cannot be deemed unworthy the pencil of an inferior artist. In the
corner of the chimney stood an old oak-chair, which had for a number
of years received nearly as many adorers as the celebrated shrine of
the Lady of Loretto. This relic was purchased, in July 1790, by the
Princess Czartoryska, who made a journey to this place, in order to
obtain intelligence relative to Shakspeare; and being told he had
often sat in this chair, she placed herself in it, and expressed an
ardent wish to become a purchaser; but being informed that it was not
to be sold at any price, she left a handsome gratuity to old Mrs. Hart,
and left the place with apparent regret. About four months after, the
anxiety of the Princess could no longer be withheld, and her secretary
was dispatched express, as the fit agent, to purchase this treasure at
any rate: the sum of twenty guineas was the price fixed on, and the
secretary and chair, with a proper certificate of its authenticity on
stamped paper, set off in a chaise for London."[23:A] The elder Mr.
Hart, who died about the year 1794, aged sixty-seven, informed Mr.
Samuel Ireland, that he well remembered, when a boy, having dressed
himself, with some of his playfellows, as Scaramouches (such was his
phrase), in the wearing-apparel of Shakspeare; an anecdote of which,
if we consider the lapse of time, it may be allowed us to doubt the
credibility, and to conclude that the recollection of Mr. Hart had
deceived him.
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