Shakspeare and His Times [Vol. 1 of 2]: Including the Biography of the Poet; criticisms on his genius and writings; a new chronology of his plays; a disquisition on the on the object of his sonnets; and a history of the manners, customs, and amusements, superstitions, poetry, and elegant literature of his age — John Shaqi
Shakspeare and His Times [Vol. 1 of 2]: Including the Biography of the Poet; criticisms on his genius and writings; a new chronology of his plays; a disquisition on the on the object of his sonnets; and a history of the manners, customs, and amusements, superstitions, poetry, and elegant literature of his ageDrake, Nathan
History
Shakspeare and His Times [Vol. 1 of 2]: Including the Biography of the Poet; criticisms on his genius and writings; a new chronology of his plays; a disquisition on the on the object of his sonnets; and a history of the manners, customs, and amusements, superstitions, poetry, and elegant literature of his age
Drake, Nathan
Dramatists, English -- Early modern, 1500-1700 -- Biography; England -- Civilization -- 16th century; English literature -- Early modern, 1500-1700 -- History and criticism; Shakespeare, William, 1564-1616; Shakespeare, William, 1564-1616 -- Homes and haunts -- England
SHAKSPEARE, AFTER LEAVING SCHOOL, FOLLOWS HIS FATHER'S
TRADE—STATEMENT OF AUBREY—PROBABLY PRESENT IN HIS TWELFTH
YEAR, AT KENELWORTH, WHEN ELIZABETH VISITED THE EARL OF
LEICESTER—TRADITION OF AUBREY CONCERNING HIM—WHETHER THERE
IS REASON TO SUPPOSE THAT, AFTER LEAVING HIS FATHER, HE WAS
PLACED IN AN ATTORNEY'S OFFICE WHO WAS LIKEWISE SENESCHAL OR
STEWARD OF SOME MANOR—ANECDOTES OF SHAKSPEARE—ALLUSIONS
IN HIS WORKS TO BARTON, WILNECOTTE AND BARSTON, VILLAGES IN
WARWICKSHIRE—EARTHQUAKE IN 1580 ALLUDED TO—WHETHER, AFTER
LEAVING SCHOOL, HE ACQUIRED ANY KNOWLEDGE OF THE FRENCH AND
ITALIAN LANGUAGES.
That Shakspeare, when taken from the free-school of Stratford, became
an assistant to his father in the wool-trade, has been the general
opinion of his biographers from the period of Mr. Rowe, who first
published the tradition in 1709, to the present day. The anecdote was
probably collected by Mr. Betterton the player, who visited Stratford
in order to procure intelligence relative to his favourite poet, and
from whom Mr. Rowe professes to have derived the greater part of
his information.[34:A] A few incidental circumstances tend also to
strengthen the account that both father and son were engaged in this
employment, and, for a time, together: in the first place, we may
mention the discovery already noticed of the arms of the merchants
of the wool-staple on a window of the house in which the poet was
born[34:B]; secondly, the almost certain conclusion that the poverty
of John Shakspeare, which we know to have been considerable in 1579,
would naturally incline him to require the assistance of his son, in
the only way in which, at that time, he could be serviceable to him;
and thirdly, we may adduce the following passages from the works of our
Dramatist, which seem to imply a more than theoretic intimacy with his
father's business. In the Winter's Tale, the Clown exclaims,
"Let me see:—Every 'leven wether—tods; every tod
yields—pound and odd shilling: fifteen hundred shorn,—What
comes the wool to?" _Act IV. Scene 2._
Upon this passage Dr. Farmer remarks, "that to _tod_ is used as a
verb by dealers in wool; thus, they say, 'Twenty sheep ought to _tod_
fifty pounds of wool,' &c. The meaning, therefore, of the Clown's
words is, 'Every eleven wether _tods_; i. e. _will produce a tod_, or
twenty-eight pounds of wool; every _tod_ yields a pound and some odd
shillings; what then will the wool of fifteen hundred yield?'"
"The occupation of his father," subjoins Mr. Malone, "furnished our
poet with accurate knowledge on this subject; for two pounds and a half
of wool is, I am told, a very good produce from a sheep at the time of
shearing."
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