Shakspeare and His Times [Vol. 1 of 2]: Including the Biography of the Poet; criticisms on his genius and writings; a new chronology of his plays; a disquisition on the on the object of his sonnets; and a history of the manners, customs, and amusements, superstitions, poetry, and elegant literature of his ageDrake, Nathan
History
Shakspeare and His Times [Vol. 1 of 2]: Including the Biography of the Poet; criticisms on his genius and writings; a new chronology of his plays; a disquisition on the on the object of his sonnets; and a history of the manners, customs, and amusements, superstitions, poetry, and elegant literature of his age
Drake, Nathan
Dramatists, English -- Early modern, 1500-1700 -- Biography; England -- Civilization -- 16th century; English literature -- Early modern, 1500-1700 -- History and criticism; Shakespeare, William, 1564-1616; Shakespeare, William, 1564-1616 -- Homes and haunts -- England
but that the father of our poet, the former bailiff of Stratford,
should employ his children, instead of servants, in the slaughter of
his cattle, is a position so revolting, so unnecessarily degrading
on the part of the father, and, at the same time, must have been so
discordant with the well-known humane and gentle cast of the poet's
disposition, that we cannot, for a moment, allow ourselves to conceive
that any credibility can be attached to such a report.
At what age he began to assist his father in the wool-trade, cannot now
be positively ascertained; but as he was early taken from school, for
this purpose, we shall probably not err far, if we suppose this change
to have taken place when he was _twelve_ years old; a computation which
includes a period of scholastic education sufficiently long to have
imbued him with just such a portion of classical lore, as an impartial
enquirer into his life and works would be willing to admit.
A short time previous to this, when our poet was in his twelfth
year, and in the summer of 1575, an event occurred which must have
made a great impression on his mind; the visit of Queen Elizabeth to
the magnificent Earl of Leicester, at Kenelworth Castle. That young
Shakspeare was a spectator of the festivities on this occasion, was
first suggested by Bishop Percy[37:A], who, in his Essay on the Origin
of the English Stage, speaking of the old Coventry play of Hock
Tuesday, which was performed before Her Majesty during her residence
at the castle, observes,—"Whatever this old play, or 'storial show,'
was at the time it was exhibited to Queen Elizabeth, it had probably
our young Shakspeare for a spectator, who was then in his twelfth year,
and doubtless attended with all the inhabitants of the surrounding
country at these 'Princely Pleasures of Kenelworth,'[37:B] _whence
Stratford is only a few miles distant_. And as the Queen was much
diverted with the Coventry play, 'whereat Her Majestie laught well,'
and rewarded the performers with two bucks, and five marks in money:
who, 'what rejoicing upon their ample reward, and what triumphing upon
the good acceptance, vaunted their play was never so dignified, nor
ever any players before so beatified:' but especially if our young
Bard afterwards gained admittance into the castle to see a play, which
the same evening, after supper, was there 'presented of a very good
theme, but so set forth by the actors' well-handling, that pleasure
and mirth made it seem very short,' though it lasted two good hours and
more, we may imagine what an impression was made on his infant mind.
Indeed the dramatic cast of many parts of that superb entertainment,
which continued nineteen days, and was the most splendid of the kind
ever attempted in this kingdom, must have had a very great effect on a
young imagination, whose dramatic powers were hereafter to astonish the
world."[38:A]
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