Shakspeare and His Times [Vol. 2 of 2]: Including the Biography of the Poet; criticisms on his genius and writings; a new chronology of his plays; a disquisition on the on the object of his sonnets; and a history of the manners, customs, and amusements, superstitions, poetry, and elegant literature of his ageDrake, Nathan
History
Shakspeare and His Times [Vol. 2 of 2]: Including the Biography of the Poet; criticisms on his genius and writings; a new chronology of his plays; a disquisition on the on the object of his sonnets; and a history of the manners, customs, and amusements, superstitions, poetry, and elegant literature of his age
Drake, Nathan
Dramatists, English -- Early modern, 1500-1700 -- Biography; England -- Civilization -- 16th century; English literature -- Early modern, 1500-1700 -- History and criticism; Shakespeare, William, 1564-1616; Shakespeare, William, 1564-1616 -- Homes and haunts -- England
The term _old_ applied to this play, which, according to the report of
the Queen, "was played forty times in open streets and houses[11:B],"
has induced Dr. Farmer and Mr. Tyrwhitt to conclude that a play
entitled _Richard the Second_, or _Henry the Fourth_, existed before
Shakspeare's dramas on these subjects. This position, however, is
dissented from by Mr. Chalmers, who says,—"In opposition to Farmer and
Tyrwhitt, I hold, though I have a great respect for their memories,
that it was illogical to argue, from a nonentity, against an entity;
that as no such play as the Henry IV. which they spoke of had ever
appeared, while Shakspeare's Richard II. was apparent to every eye,
it was inconsequential reasoning in them to prefer the first play to
the last: and I am, therefore, of opinion, that _the play of deposing
Richard_ II. which was seditiously played on the 7th of February
1600-1, was Shakspeare's Richard II., that had been originally acted in
1596, and first printed in 1597."[11:C]
This opinion of Mr. Chalmers will be much strengthened when we
reflect that Lord Southampton's well-known attachment to the muse
of Shakspeare, would almost certainly induce him to prefer the play
written by his favourite poet to the composition of an obscure, and,
without doubt, a very inferior writer.
The death of Elizabeth terminated the confinement and the sufferings of
Lord Southampton. No sooner had James acceded to the throne, than he
sent an order for his release from the Tower, which took place on the
10th of April, 1603, and accompanied it with a request that he would
meet him on his way to England. This might be considered as a certain
presage of future favours, and was, indeed, speedily followed, not only
by the reversal of his attainder, and the restoration of his property,
but by an accumulation of honours. He was immediately appointed master
of the game to the Queen; a pension of six hundred pounds per annum
was allotted to his lady; in July, 1603, he was installed a knight of
the garter, and created captain of Isle of Wight and of Carisbrooke
Castle, and in the following Spring he was constituted Lord Lieutenant
of Hampshire, and was chosen by the King as his companion in a journey
to Royston.
This flow of good fortune was, however, transiently impeded by the
jealousy of James, who, stimulated by the machinations of some of his
courtiers, envious of the returning prosperity of the Earl[12:A],
was led to suspect that an improper intimacy had taken place between
Southampton and his Queen; a charge of disaffection to His Majesty
was, therefore, brought against His Lordship, and he was apprehended
towards the close of June, 1604; but not the smallest proof of his
disloyalty having been substantiated, he was immediately released, and
as immediately retaken into favour.
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