Shakspeare and His Times [Vol. 2 of 2]: Including the Biography of the Poet; criticisms on his genius and writings; a new chronology of his plays; a disquisition on the on the object of his sonnets; and a history of the manners, customs, and amusements, superstitions, poetry, and elegant literature of his age — John Shaqi
Shakspeare and His Times [Vol. 2 of 2]: Including the Biography of the Poet; criticisms on his genius and writings; a new chronology of his plays; a disquisition on the on the object of his sonnets; and a history of the manners, customs, and amusements, superstitions, poetry, and elegant literature of his ageDrake, Nathan
History
Shakspeare and His Times [Vol. 2 of 2]: Including the Biography of the Poet; criticisms on his genius and writings; a new chronology of his plays; a disquisition on the on the object of his sonnets; and a history of the manners, customs, and amusements, superstitions, poetry, and elegant literature of his age
Drake, Nathan
Dramatists, English -- Early modern, 1500-1700 -- Biography; England -- Civilization -- 16th century; English literature -- Early modern, 1500-1700 -- History and criticism; Shakespeare, William, 1564-1616; Shakespeare, William, 1564-1616 -- Homes and haunts -- England
Sometime he runs among the flock of sheep,
To make the cunning hounds mistake their smell;
And sometime where earth-delving conies keep,
To stop the loud pursuers in their yell;
And sometime sorteth with a herd of deer;
Danger deviseth shifts; wit waits on fear:
For there his smell with others being mingled,
The hot scent-snuffling hounds are driven to doubt,
Ceasing their clamorous cry till they have singled
With much ado the cold fault cleanly out;
Then do they spend their mouths: Echo replies,
As if another chase were in the skies.
By this, poor Wat, far off upon a hill,
Stands on his hinder legs with listening ear,
To hearken if his foes pursue him still;
Anon their loud alarums he doth hear;
And now his grief may be compared well
To one sore-sick, that hears the passing bell.
Then shall thou see the dew-bedabbled wretch
Turn, and return, indenting with the way;
Each envious briar his weary legs doth scratch,
Each shadow makes him stop, each murmur stay."
This poem abounds with similes, many of which include miniature
sketches of no small worth and beauty. A few of these shall be given,
and they will not fail to impart a favourable impression of the
fertility and resources of the rising bard. The fourth and fifth, which
we have distinguished by Italics, more especially deserve notice, the
former representing a minute piece of natural history, and the latter
describing in words adequate to their subject, one of the most terrible
convulsions of nature.
———————————— "as one on shore
Gazing upon a late-embarked friend,
Till the wild waves will have him seen no more,
Whose ridges with the meeting clouds contend."
* * * * *
——————— "as one that unaware
Hath dropp'd a precious jewel in the flood."
* * * * *
"Or 'stonish'd as night-wanderers often are,
Their light blown out in some mistrustful wood."
* * * * *
"_Or, as the snail, whose tender horns being hit,
Shrinks backward in his shelly cave with pain._"
* * * * *
"_As when the wind, imprison'd in the ground,
Struggling for passage, earth's foundation shakes._"
We shall close these extracts from the _Venus and Adonis_, with two
passages which form a striking contrast, and which prove that the
author possessed, at the commencement of his career, no small portion
of those powers which were afterwards to astonish the world; powers
alike unrivalled either in developing the terrible or the beautiful.
"And therefore hath she bribed the Destinies,
To cross the curious workmanship of nature,
To mingle beauty with infirmities,
And pure perfection with impure defeature;
Making it subject to the tyranny
Of sad mischances and much misery;
Public-domain text, read in full here on John Shaqi.
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