Shakspeare and His Times [Vol. 2 of 2]: Including the Biography of the Poet; criticisms on his genius and writings; a new chronology of his plays; a disquisition on the on the object of his sonnets; and a history of the manners, customs, and amusements, superstitions, poetry, and elegant literature of his age — John Shaqi
Shakspeare and His Times [Vol. 2 of 2]: Including the Biography of the Poet; criticisms on his genius and writings; a new chronology of his plays; a disquisition on the on the object of his sonnets; and a history of the manners, customs, and amusements, superstitions, poetry, and elegant literature of his ageDrake, Nathan
History
Shakspeare and His Times [Vol. 2 of 2]: Including the Biography of the Poet; criticisms on his genius and writings; a new chronology of his plays; a disquisition on the on the object of his sonnets; and a history of the manners, customs, and amusements, superstitions, poetry, and elegant literature of his age
Drake, Nathan
Dramatists, English -- Early modern, 1500-1700 -- Biography; England -- Civilization -- 16th century; English literature -- Early modern, 1500-1700 -- History and criticism; Shakespeare, William, 1564-1616; Shakespeare, William, 1564-1616 -- Homes and haunts -- England
The expression, _deep conceit_, "seems to allude," remarks Mr. Malone,
"to the _Faery Queen_. If so, these sonnets were not written till after
1590, when the first three books of that poem were published[49:A];"
a conjecture which is strongly corroborated by two lines from
Barnefield's "Remembrance of some English Poets," where the phrase is
directly applied to the Fairy Queen:
"Live Spenser! ever, in thy Fairy Queene;
Whose like (for _deep conceit_) was never seene."[50:A]
The remaining portion of Shakspeare's Poems includes the SONNETS and
A LOVER'S COMPLAINT, which were printed together in 1609.[50:B] At
what period they were written, or in what year of the poet's life they
were commenced, has been a subject of much controversy. That some of
these sonnets were alluded to by Meres in 1598, when he speaks of our
author's "sugred Sonnets among his private friends," and that a few of
these very sonnets, as many, at least, as Jaggard could obtain, were
published by him the following year, in consequence of this notice,
appears to be highly probable; but that the entire collection, as
published in 1609, had been in private circulation anterior to Meres's
pamphlet, is a position not easily to be credited, and contrary,
indeed, to the internal evidence of the poems themselves, which bear no
trifling testimony of having been written at various and even distant
periods; and there is reason to think in the space elapsing between the
years 1592 and 1609, between the twenty-eighth and forty-fifth year of
the poet's age.
That some of them were early compositions, and produced before the
author had acquired any extended reputation, may be inferred from the
subsequent passages. In the sixteenth sonnet, with reference to his
own poetry, he adopts the expression "_my pupil pen_;" and in the
thirty-second he petitions his mistress to "vouchsafe" him "but this
loving thought,"
"_Had my friend's muse grown with this growing age,
A dearer birth than this his love had brought
To march in ranks of better equipage._"
A small portion of the fame and property which he afterwards enjoyed,
could have fallen to his share when he composed the thirty-seventh
sonnet, the purport of which is to declare, that though
—— "_made lame by fortune's dearest spite_,"
he is rich in the perfections of his mistress, and having engrafted his
love to her abundant store, he adds,
"So then I am not _lame, poor, nor despis'd_."
Public-domain text, read in full here on John Shaqi.
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