"I should say I did understand--no one better! But I prefer human beings.
Don't you at times--flesh and blood, humans, eh--they have their
attraction, don't you think?"
"I am ashamed to say it, but people weary me. No; take for instance the
sweep of a solitary, deserted street--have you never noticed the charm of
such a view?"
"Haven't I? I am not blind, not entirely. A desolate street, of course,
has its own beauty, its own charm, in its kind the highest charm
imaginable. But everything in its place--Well, I must not detain you!
_Au revoir_--Thursday!"
Milde saluted with his cane, turned, and strolled up the street. Ojen
continued alone. He proved a few moments afterward that he had not lost
all his interest in human beings; he had calumniated himself. To the very
first hussy who hailed him he gave, absent-mindedly, every penny he had
left, and continued his way in silence. He had not spoken a word; his
slender, nervous figure disappeared in the darkness before the girl could
even manage to thank him--
And at last everything is still; the winches fall to rest along the
wharves; the town has turned in. From afar, nobody knows from where, comes
the sound of a single footfall; the gas flames flicker in the street
lamps; two policemen talk to each other, occasionally stamping their feet
to keep warm.
Thus the night passes. Human footsteps here and there; now and then a
policeman who stamps his feet to keep warm.
V
A barnlike room with blue walls and sliding windows, a sort of drying-loft
with a stove in the middle, and with stovepipes hanging in wires along the
ceiling. The walls are decorated with a number of sketches, painted fans,
and palettes; several framed pictures lean against the wainscoting. Smell
of paints and tobacco smoke; brushes, tubes, overcoats which the guests
had thrown aside; an old rubber shoe filled with nails and junk; on the
easel in the corner a large, half-finished portrait of Paulsberg.
This was Milde's studio.
When Ole Henriksen entered about nine o'clock all the guests were
assembled, also Tidemand and his wife. There were altogether ten or twelve
people. The three lamps were covered with opaque shades, and the heavy
tobacco smoke did not make the room any lighter. This obscurity was
evidently Mrs. Hanka's idea. A couple of very young gentlemen, beardless
students with bachelor degrees, were of the party; they were poets who had
put aside their studies last year. Their heads were so closely cropped as
to be almost entirely naked. One of them carried a small compass on his
watch-chain. They were Ojen's comrades, his admirers and pupils; both
wrote verses.
Public-domain text, read in full here on John Shaqi.
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