"Impressed? I must admit that in my humble opinion things are a little on the down grade with us," answered Coldevin. "I confess that that is my opinion. And it is especially the country's youth I am thinking of. We have begun a slow retrogression; in plain words, we are lowering our standards, we are tapering down to a general zero. The young do not demand much from themselves or from others any more; they accept the diminutive and call it great; there is not much, not very much, needed to create a stir nowadays. That is what I meant when I referred to the general conditions." "But, good Lord! what do you think of our younger writers, then?" cried Journalist Gregersen, flushed and angry. "Our poets, yes! Have you read any of them? Have you, for instance, ever come across the name of Paulsberg, the name of Irgens?" Aagot could not refrain from observing her old tutor. She was surprised to note that this man, who invariably used to yield when he was contradicted, now sat there with a ready reply to every remark and did not look very timid either. "You must not take offence at what I say," he begged. "I admit that I have no business to express such opinions here; I ought to leave that to others who understand these matters better than I; but if you want to know what I think, then I must say that, according to my lights, our younger writers do not seem to improve the conditions greatly. Of course, there can be no fixed standard; everything depends on the point of view, and yours is not mine; we are bound to differ. But, anyway, our younger writers do not lift the level greatly; hardly, according to my understanding. It would seem they lack the ability. Of course, that is no fault of theirs; but then they have no right to pose as being greater than they are. It is a pity that we lose sight of the greater and make mediocrity take its place. Look at our youth; look at our authors; they are very clever, but--Yes, they are both clever and industrious; they labour and toil, _but they lack the spark_. Good God, how far they are from squandering their treasures! They are saving and calculating and prudent. They write a few verses and they print these few verses. They squeeze out a book now and then; they delve into their inmost recesses and conscientiously scrape the bottom until they arrive at a satisfactory result. They do not scatter values broadcast; no, they do not fling gold along the highways. In former days our poets could afford to be extravagant; there was wealth untold; they towered rich and care-free and squandered their treasures with glorious unconcern. Why not? There was plenty left. Oh, no, our present-day authors are clever and sensible; they do not show us, as did the old, a flood, a tempest, a red eruption of flame-tongued, primeval power!"